幸福祕方

简介：自称 “黑猩猩中的多莉·帕顿 ”的托尼亚·哈迪克斯（Tonia Haddix）曾是一名护士，后转为珍稀动物经纪人，每天照顾圈养的动物。然而，她对一只黑猩猩无限的爱，却让她与当局和一个动物权益组织展开了一场疯狂的猫鼠游戏。

简介：印度09最新喜劇,是著名的阿拉伯民間故事合集，它憑藉豐富的想象、生動的描寫風靡全世界，神話故事《阿拉丁》也出自這個合集，它曾多次被搬上大銀幕。　　印度電影人再次將它翻拍，與以往不同的是，這次製片方耗費巨資，運用了先進的電腦特技效果，力圖帶給觀衆一場豪華的幻想歷險。雖然《阿拉丁》是大家都十分熟悉的故事，但是，電影精美的製作以及絢麗的特效運用，還是會給觀衆耳目一新的感覺。

简介：鬼子的飛機炸死了去鎮上賣魚的爹媽。那年，姐姐大荷花十四歲，弟弟小荷花十一歲。爹媽死後，大荷花擔負起照顧弟弟的責任。弟弟逢人就問：“鬼子爲啥炸死我爹媽”，沒有人能回答他。姐弟倆開始以自己的方式復仇。

简介：德川幕府统治下的江户时代，位于丰后的羽根藩内，青年武士檀野庄三郎（冈田准一 饰）和友人因为小事起了争执，继而拔刀伤及对方。家老中根兵右卫门（串田和美 饰）赦免他的死罪，转而命其监视住在城外小山村的武士户田秋谷（役所广司 饰）的动向。户田曾担任郡奉行，与家老是儿时好友。七年前他涉嫌和藩主的侧室（寺岛忍 饰）通奸而被问罪，由于秋谷一直负责撰写羽根藩家谱，因此藩主命其在十年内完成家谱的编写，并于完工之日切腹自杀。抱着种种疑惑，庄三郎见到了淡定自若的秋谷及其妻子织江（原田美枝子 饰）、女儿薰（堀北真希 饰）以及少年武士郁太郎（吉田晴登 饰）。相处的过程中，庄三郎渐渐被秋谷的人格所感染，他在调查七年前的事件时，则发现了一些被人刻意隐瞒的真相…… 本片根据作家叶室麟的作品《秋蜩》改编。©豆瓣

简介：北宋年間，太平盛世令開封府漸成虛設，尾隨包拯（黃秋生）的展昭（劉德華）因整日無所事事懷念起過去雲遊四海的俠義生活，幻想有天重新披上黑衣。某次化身做他人的行動中，展昭遇上錦毛鼠白玉堂（張柏芝），被其言行舉止深深吸引。　　五鼠大鬧開封府，奪去展昭與襄陽王之妹（李冰冰）的訂婚信物，展昭奉皇命追至五鼠老窩陷空島勸降，吸引了情竇初開的原本是女兒身的白玉堂，然而因展昭身負御賜婚約，兩情沒能相悅，可是他們的緣分並沒到此終止。

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美少女與暗殺組織的浴血之戰                                                                      　　★【追殺比爾】+【格殺福順】，年度最爽最炸爆米花動作強片！                                                                      　　★ 刺激！爆爽！熱血！瘋狂！嗆辣！從頭嗨到尾讓人大呼過癮！                                                                      　　★ 震撼磅礴的打鬥畫面，浮誇絢麗的超狂動作對戰，讓人興奮拍案叫絕！                                                                      　　★ 無任何包袱的暴力美學，主角爽勁全開揮刀砍殺，娛樂爽感大滿足！                                                                      　　★ 榮獲「紐約亞洲電影節」最佳動作電影，手起刀落不眨眼的刺激體驗！                                                                      　　★ 【見鬼的戀愛季節】女星普洛派琳唐普萊帕彭，獻上好萊塢式泰國動作大片！                                                                      　　⠀                                                                      　　————— ⚔ 劇情簡介 ⚔ —————                                                                      　　蒂娜（普洛派琳唐普萊帕彭飾演）是個從小就接受精良殺手訓練的女孩，與代號「灰狐」的阿葛（索姆查格拉飾演）一起參與刺殺任務。某天，阿葛被組織背叛，慘遭殺身之禍。在逃亡過程當中，阿葛遇見不太正經的上班族查理（登坤恩加內特飾演），與他建立了特殊聯繫。臨終前，阿葛授權查理成為「灰狐」接班人。無奈之下，查理就這樣誤打誤撞進入了殺手組織「辦死處」，並接受殺手訓練，主要工作就是保護蒂娜免受組織殺害。一場殺手與殺手的激烈對戰就此展開…。

简介：影片講述了職業編劇米雪患上婚前恐懼症，經常做噩夢。當她從睡夢中醒來，發現身處地窖，摔斷的腿被鐵鏈拴住。米雪立刻盤算着逃生計劃。然而，她很快發現囚禁自己的人名叫大熊。這個人聲稱是她的救命恩人，他告訴米雪，地球已遭外星人的佔領，只有地窖是安全的。一起躲在地窖裏的還有範楠，他是大熊的表弟。三個人之間逐漸建立起了相互信任和依賴的關係，就像一個奇怪的家庭。漸漸地，米雪開始懷疑大熊的真正動機，覺得他在欺騙自己。害怕的米雪再一次展開從地窖中逃脫的計劃，即使外界等待她的是外星人，也在所不惜……

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简介：亞娜（娜塔莉亞·梅爾庫洛娃 Natalya Merkulova 飾）是一家時尚雜誌社的主編，事業有成的她感到單身的生活非常的充實，她完全不需要通過結婚或者生養孩子來獲得額外的成就感。然而，在一次公關活動中，亞娜被安排要扮演一個養母的角色，去照顧一個名爲彥可（丹尼爾·齊納蒂林 Daniel Zinatullin 飾）的孩子。這期間發生的事情將在電視臺播出。　　爲了給雜誌社贏得更高的人氣，亞娜不得不心不甘情不願的接受了這份苦差事。一切果然不出她的所料，彥可將亞娜的生活和事業攪得一團糟。對此忍無可忍的亞娜決定退出節目，可就在這個節骨眼上，她得知了彥可的一個祕密，這個祕密讓她對自己的決定產生了猶豫。

简介：ISABEL SULLIVAN (15) has just moved to a small town to live with her uncle PAUL who is the town's mayor. Isabel has recently lost her parents in a car accident. Feeling very alone and friendless, Isabel befriends a stray robot dog named ARCHIE. Though he looks like a normal dog, he is anything but. He can talk. He can run at blinding speed. He's got super strength and x-ray vision. Isabel and Archie become fast friends. She teaches him how to be a normal dog while he helps her to fit in with the cool kid clique. Most of all, Isabel can confide in Archie about what happened to her parents. Archie can relate. He's never had a family - until now. As the summer progresses, things start to get tricky. Paul is up for re-election and finds himself running against VERONICA TAYLOR who happens to be in cahoots with BURGERTROPOLIS - a national fast food franchise that has been trying to buy Paul out for years. What's worse, an evil man named HUGH JABLONSKI shows up in town claiming to be ...

简介：一項把人當動物對待的行爲實驗出了差錯，一名大學生操縱了這項研究導致了致命的結果。。。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.