記憶歸零

简介：小強從小和父親住在山上。有一天，外公請他下山，要他接受學校良好教育。一開始，小強適應不了新環境，吵着要回山上，根本不思讀書上學。外公一氣之下將他綁了起來。小強被迫無奈，只得開始學校生活。他首先去找曾在山上有過一面之交的雯雯，沒有找到，卻意外遇到了一羣練武術的人。他們難刁小強，小強憑着在山上學到的功夫跟他們交手，不料敗下陣來。小強並不氣餒，跟他們刻苦練武，終於有了長進。同時，雯雯家境窘困，被討債的高利貨主逼得走投無路。小強知道後，向外公借錢，希望能資助雯雯。外公爲此與小強打賭，只要小強學習上進，就借錢給他。小強信守諾言，刻苦學習。眼看就能贏得那筆錢，不料，債主綁架了小強和雯雯哥哥，要外公用錢去贖。外公只得籌錢前往。在交易中，小強突然出擊，用學到的功夫與綁匪展開決鬥。與此同時，那羣練武的同學也及時趕到，降服了綁匪。爺爺被孩子們的仗義和勇敢所感動，幫助雯雯家擺脫困境並投資教育，在內地山區建立一座森林學校，讓這些最棒的孩子們快樂地在一起

简介：愛麗絲（米拉·喬沃維奇 Milla Jovovich 飾）重回在東京，向安布雷拉公司復仇。後者潛藏在地球的底部，威斯克（肖恩·羅伯茨 Shawn Roberts 飾）執行着自以爲是的安 全技術標準。愛麗絲闖入了禁區，直搗黃龍。而威斯克竟然不惜毀滅城市做困獸鬥。最終，當他駕駛着直升機逃離時，卻被愛麗絲脅迫，情急之下，他向愛麗絲身上注入了具有對T細胞的免疫病毒，令她喪失了超能力，只能駕機飛翔荒無人煙的阿拉斯加。地球上已經177天沒有生命跡象。然而，愛麗絲卻意外發現了克萊爾（艾麗·拉特 Ali Larter 飾）。她們循着阿卡迪亞信號，回到了地獄之城，滿眼的殭屍令人觸目驚心。迎接她們的是同樣聽到信號的倖存者。在神祕犯人克里斯（文特沃斯·米勒 Wentworth Miller 飾）的幫助下，她們向阿卡迪亞之船進發……

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简介：A young surveyer, new to Ontario, encounters the blackflies. Over and over again, he encounters those blackflies.

简介：大唐年間，金華縣有狐妖作祟，中秋前接連有人被咬噬致死。大理寺丞狄仁傑途經金華，陰差陽錯地捲入案子，他強行剋制自己的心理陰影，抽絲剝繭，最終靠悲憫心揭開了流傳了十五年的“狐妖迷案”……

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简介：高中女生芳山和子（原田知世 饰）与好友堀川吾郎（尾美としのり 饰）、深町一夫（高柳良一 饰）打扫教室卫生。和子独自一人时，听到实验室传出奇怪响声。她推门进入，却看见一支烧瓶跌落地上，瓶中流出冒着白烟的不明液体。在闻到一股薰衣草香气后，和子倒在地上不省人事。　　在两名好友的帮助下，和子从昏迷中苏醒。原本以为没有关系的她却惊奇地发现，她拥有了穿越时空的能力。地震、好友所遇到的危险全都在真实度极高的“梦中”出现，而就在对童年的回溯中，和子渐渐发现了好友身上的一个秘密……　　改编自筒井康隆同名科幻小说，原田知世处女作，大林宣彦“尾道三部曲”之一。

简介：越战硝烟散尽，但是战争的影响并未消失……为了摧毁军队留在越南的大批飞弹，美军挑选了十名包括杀人犯童明辛（洪金宝 饰）、走私犯任人熙（袁和平 饰）等在内的华裔犯人，组成一支特种小队，委托林上校（林正英 饰）领导。同时，特种小队兼负联络滞留越南的美军上校之兄杨龙的使命。此次任务代号为“东方秃鹰”　　在特种小队空降越南之时，任务负责人意外身亡，导致任务取消。幸有三名柬埔寨游击队员（高丽虹等 饰）在当地协助，林上校决定将任务完成，特种小队与杨龙及义子“老鼠杰”（元彪 饰）一行，在越共的层层围剿中，向美军的战时秘密军火库进发……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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　　澳大利亚惊悚片，看着窗外缓缓变换的景色，彤恩的眼神略带焦虑，因为她刚犯下一宗伤害案，身后还引来一名男子的调查与追缉，她带着女儿驾车逃往偏远的山区，在当地旅馆躲了起来。母女俩待在这与世隔绝的小小世界，享受难得的相处机会，然而当紧追在后的男子出现，却将拆散两人仅有的世界。

简介：灵异之说，令人恐怖，令人抱头逃窜。但灵异之物却如冥冥夜空，覆盖天地，广汉无垠，仿佛到处是影、光、灵、魔。灵异如行动飘忽之售，来去无踪无影；又如深洞中的蝙蝠，在黑夜中扑飞，凭不可知的能力，知道你的存在。令人歇斯底里狂叫的，不但是其恶意伤害，而是随灵异而来的彻骨心寒无可逃避、不能预知，更由于人对灵异有太多的不知，便加上更多的幻想。灵异不但指鬼怪，更可能是原始的禁忌，隔世的恶咒毒誓、巫术、因果报应、甚至是隐藏的心魔、原来每个人心中，都是魔之所在，越想，越怕，魔随之而生。　　《一千灵异夜》不是迷信传说，而是一系列希区柯克式惊栗迷离悬疑单元剧，包括《血咒》、《凶穴》、《凶宅》、《血追忆》、《死连环》、《厉鬼焚情》、《贴身噩梦》、《鬼拳师》、《迷宫杀手》、《护花使者》、《灵魂实验》、《孽债危情》、《转世邪灵》、《孽缘十日》、《血的疑惑》。