懷戀的冬夜

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简介：清末民初，英叔師徒行醫濟世，除祟安魂，行至小鎮郊外恰遇陰公開道大辦冥婚，殭屍出沒藉機害人，師徒幾人冒險救下棺木內的紅衣美新娘，卻被捲入孤墳魔僵連環殺人案，在警察廳的支持下展開緊急調查。百姓接連慘死，貪財好色的惡霸霍大有成爲下一個被獵殺的目標，英叔由此推斷出喪命者都與清末一樁冤案有關，開壇做法激戰復仇魔僵。謎案錯雜，正邪交鋒，英叔一行人能否爲已逝之人洗刷冤屈，還小鎮太平呢？

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将女儿们送往冬令营，乔许与艾玛这对老夫老妻，终于获得睽违已久的一周假期。偷得浮生七日闲，原想重燃爱火大搞一场，结果发现性致不如以往。面对中年婚姻危机，两人决定积极处理：邀请同事三人行却不太行、去俱乐部找刺激却找到亲戚、嗑药助兴却力不从心提早泄气，还有骚包下属和暗恋老友在一旁搅局，眼看女儿们返家在即，他们到底能不能重拾性趣？

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简介：如果杀人电影中的连环杀手有一个女儿呢？ 如果女儿说她要接管家族企业怎么办？

简介：梁贊（元彪 飾）是梁家九代單傳的獨子，自小熱愛習武。爲了發展兒子的愛好，梁贊的父親從江湖上重金聘請了各路名師與梁贊過招。然而，這些老師們早就被梁贊的父親收買，在比武之時他們假裝戰敗，使得梁贊自認爲功夫...

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北宋年間，寺廟老和尚止善收養了一個棄嬰，嬰兒的肚子上留有疤痕“東昌王文之子”，止善發現嬰兒是個半人半狐，毅然決定將其收養並教導他一心向善。他給嬰兒取名王孜，每日教王孜唸經打坐。

简介：A group of middle school kids stumble upon a chest full of incredible toys from the future. The discovery takes them on an adventure using their newfound toys to save their neighborhood and ultimately the world from a maniacal corporate madman. In the process, these loser kids learn they have the qualities they thought they were lacking all along.

简介：最难忘是初恋情人，最感人是姐妹之情。 孟娜、孟莉自小孤苦伶仃，相依为命。孟娜姐代母职，一边打工一边供养孟莉读书，到了孟莉读大学时，因入不支出，不得不瞒着孟莉去当歌女。孟娜一曲“谁来爱我”一鸣惊人，人靓歌甜，不少公子哥儿追逐于其石榴裙下，但孟娜喜欢的却是老师陈刚，两人往来频繁，大有非卿不娶、非君不嫁之态。 陈刚也是孟莉的大学老师，他对孟莉关怀备至，令她春心大动，深深爱上陈刚，一次孟莉回家时，发现了姐姐与陈刚之间的“秘密”……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：Newlyweds Suse and Arthur become the dangerous obsession of a greaser gang that awakens a sleeping quandary into the couple's sexual identity.

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奥斯卡是名门之后，由于家中没有男丁，于是从小就被当做男孩养大。十四岁那年，奥地利和法国进行政治联姻，奥地利公主玛丽即将嫁给法国王子路易，父亲将奥斯卡送入了宫殿侍卫队，赋予了她保护玛丽的重任，只为了家族...