1
6.0

牆頭馬上

導演:
蔡振亚
主演:
俞振飛,言慧珠,華傳浩,王傳凇,鄭傳鑑
别名:
未知
6.0
1人評分
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簡介:
《牆頭馬上》,元朝劇作家白樸作。主要寫李千金與裴少俊相愛而私自結合,後被裴父發現趕出,最終團圓的故事,塑造了敢於反抗封建禮教的李千金這一形象。共四折。  劇情是:尚書裴行儉的兒子少俊,奉唐高宗命去洛陽買花。一日經過洛陽總管李世傑的花園,在馬上看見他家女兒倚牆而立,便寫詩投入。李千金寫了答詩,約他當夜後園相見。少俊果然從牆頭跳入,被李千金乳母發現,令二人悄悄離去。少俊攜李千金回到長安家中,將她藏在後花園。兩人共同生活了七年,生子端端六歲,女兒重陽四歲。  清明節,少俊陪同母親外出祭奠,裴行檢因身體欠佳留在家中,偶然來到花園,碰見端端兄妹,詢問後得知始末。裴行檢認爲李千金行爲失檢,命少俊寫休書趕李千金回家,卻留下了兩個小孩。李千金回到洛陽家中,因父母已亡,在家守節。後來裴少俊中進士,任官洛陽令,並將父母迎至任所,他欲與李千金複合,李千金怨恨他休了自己,執意不肯。這時裴行檢才知李千金是他舊交李世傑之女,以前也曾爲兒女議婚。一番說明與求情之後,李千金這才原諒了他們,夫婦二人破鏡重圓。  《牆頭馬上》全名《裴少俊牆頭馬上》,有明脈望館藏《古今名家雜劇》土集本、《元明雜劇》本、《元曲選》乙集本、《柳枝集》本、《元人雜劇全集》本。崑曲,京劇皆有此劇。
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更新時間:2025年05月02日
主演:石挥,丹尼,崔超明,俞仲英,程之,苏芸,宏霞,田振东,何剑飞,刘豁然,戚秋鸣
简介:

抗日战争时期,一个青年女子由于追求物质享受而堕入敌特组织,干了一系列特务勾当。最后,当她在临难不屈的共产党员的精神感召下,有所觉悟时,却被敌人杀死。                                                                                                                                                影片根据茅盾同名小说改编。在40年代后期,影片编导曾计划把作家茅盾这一创作于40年代初并在当时产生广泛影响的作品搬上银幕,因政治环境不允许未能实现。                                                                                                                                                上海解放后,文华影业公司将其列为重点剧目投入摄制。影片对女主人公赵惠明的处理,创作者曾经过认真考虑。赵惠明是特务,又是失足者。她是个思想性格复杂、内心冲突激烈的人物。                                                                                                                                                影片于1950年冬上映,受到观众欢迎。不久报刊有文章提出影片对赵惠明“过于同情”的批评,认为与当时正在开展的镇压反革命运动方针政策不相吻合。影片即不予放映。

0
1950
腐蝕1950
主演:石挥,丹尼,崔超明,俞仲英,程之,苏芸,宏霞,田振东,何剑飞,刘豁然,戚秋鸣
等待方舟
14
9.0
已完结
等待方舟
9.0
更新時間:06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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