毛利男孩

简介：这是一个梦想闪耀的时代，这也是一个理想冷却的时代；这是最坏的时代，这也是最好的时代，这是我们的小时代。 这是当下时代一群时尚年轻人的青春故事，也是属于他们生活的真实写照，更是我们这个时代的一个缩影。　　故事发生在经济飞速发展时期的上海，主人公林萧（杨幂 饰）、顾里（郭采洁 饰）、南湘（郭碧婷 饰）、唐宛如（谢依霖 饰）四个女生在这座风光而时尚的城市里生活与学习、工作与成长，四个女生从小感情深厚，却各自有着不同的价值观与人生观，她们在同一个宿舍朝夕相处，转眼到了大学生涯的后期，平静的生活开始面临层出不穷的挑战，找工作实习的忙碌以及随之而来的巨大生存压力，看似平静的校园生活相继发生着种种让她们措手不及、不知如何面对、需要抉择的事情。同时，顾源（柯震东 饰）、简溪（李悦铭 饰）、宫铭（凤小岳 饰）、崇光（陈学冬 饰）、卫海（杜天皓 饰）、席城（姜潮 饰）等一群男生和这四个女生之间也正发生着千丝万缕的情感交错……　　面临巨大生存压力，面对剪不断理还乱的情感纠葛，四个女生要先后经历友情、爱情，乃至亲情的巨大转变，在巨变面前，她们是否依然坚持自己的生活态度，她们的青春故事将如何续写精彩？　　本片根据同名畅销小说《小时代》改编，郭敬明亲自操刀编剧，并首度跨界担任电影导演。

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主要讲述靠爆料明星隐私为生的帝都娱记陆洋（郭冬临饰）和最炙手可热的新生代IDOL甄帅（杨金赐饰）意外互换了身份，同样面临着“巨大危机”的两人不得不以对方的身份生活，由此开启的一段爆笑之旅。

简介：丹尼斯·杜根(《隨波逐流 》、《長大成人》)將執導他的第一部獨立電影《Love Other Disasters》，該片是一部由女性主導的浪漫喜劇，講述那些在婚禮上努力爲相愛的夫妻創造完美一天的人們，而他們自己的關係是古怪的、瘋狂的，遠不是完美的。

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在美國拳擊界有三座大山：伊萬德•霍利菲爾德，伯納德•霍普金斯，邁克•泰森。他們的拳擊之路熱血沸騰而又充滿艱辛，然而他們拳擊場背後的生活卻挑戰着所謂的美國夢。拳擊是窮人的運動，當生活無路可走時，他們才被迫成爲“當代角鬥士”。三位拳擊界泰斗講述着自己的拳擊故事，然而拳擊之路不僅僅是血性與榮耀，更多的是自我的挖掘與救贖，還折射出了貧窮、犯罪、不公、藥物濫用等社會問題。

简介：广东地区的赈灾银两被八王爷所劫，并嫁祸给江洋大盗黑蝙蝠。朝廷派第一神捕杨长风查案，黄飞鸿决定助其破案。黑蝙蝠李淮南也暗中调查，要为自己洗脱冤屈。最终李淮南洗清了冤屈，黄飞鸿也因此受到了朝廷表彰。

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单行本第34卷同捆OAD。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：1981年，艾滋作爲一種前所未見的免疫系統缺陷疾病在紐約出現。由於它集中發生在男同性戀當中，所以在當時又被稱爲“同志病”。內德（馬克·魯弗洛 Mark Ruffalo 飾）是一個激進的同志作家，當他看着朋友紛紛死去以及政府的不作爲時，義憤填膺的他發起了男同健康危機組織， 呼籲政府和社會公衆對這場即將爆發的大瘟疫給予重視。半身癱瘓的女醫生艾瑪（朱莉婭·羅伯茨 Julia Roberts 飾）是少數從一開始就高度警惕艾滋疫情的的醫護人員，也是內德重要的異性戀盟友。在運動中內德認識了紐約時報記者菲尼克斯（馬修·波莫 Matt Bomer 飾），兩人陷入如火如荼的熱戀。然而菲尼克斯最終也被確診感染，悲痛的內德惟有愛人和事業兩線作戰。健康危機組織的主席布魯斯（泰勒·克奇 Taylor Kitsch 飾）雖然是內德最好的朋友，然而深櫃的他行事風格與好鬥的內德截然相反。執行董事湯米（吉姆·帕森斯 Jim Parsons 飾）一直試圖平衡兩人，卻無法消弭越來越大的分歧，一場決裂迫在眉睫。而此刻已是艾滋在美國蔓延的第四個年頭......　　HBO電視電影《平常的心》改編自託尼獎同名戲劇，作者拉里·克萊默親身經歷了80年代的艾滋風暴，他以自己爲原型，將紐約同性戀人羣以及艾滋病人的生活和感悟寫進劇本。電影不但描繪了早期艾滋運動的真實和複雜面貌，而且呈現了同志爭取權益的曲折與必要性。無論身處怎樣的時代和環境，去愛、去追求愛都應該與生俱來的權利。

简介：Prehistoric sand-dwelling sharks are unleashed on the island of White Sands when an underwater earthquake cracks open a crater deep beneath the ocean surface. The most menacing beats to ever rule the waters now rule the sand; with their monster appetities they mercillessly feast on anything that crosses their path  Mark Atkins directs this sci-fi 'creature feature' horror. When an underwater earthquake opens up a deep crater on the ocean floor, a prehistoric breed of lethal sand-dwelling sharks is unleashed upon the unsuspecting residents of White Sands Island.

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简介：民國時期，國內最大的兵工廠發生離奇命案，死者被“幽靈子彈”所殺——犯罪現場找不到彈頭。一時之間，疑雲密佈，人心惶惶，此案堪稱民國第一奇案。此案交由警局內負責管理檔案的政務警察松東路調查（劉青雲 飾），擔任文職的松東路既不會拳腳功夫也不懂如何開槍，卻思想縝密，對破疑難雜 案有獨特方法。一心爲民除害的熱血警探郭追（謝霆鋒 飾）不容於警局貪污腐敗氛圍，聯手鬆東路調查此離奇命案。　　如何開槍不用子彈？如何讓子彈在穿入肉體的時候消失？松東路和郭追在槍和子彈上做了各種各樣的研究，包括向豬身體發射鹽子彈、冰子彈等等，卻沒有任何滿意的結果。隨着案情調查深入，兩位警探抽絲剝繭地發現恐怖陰森的殺人密室和離奇的造彈裝置，其詭異程度讓經驗豐富的松東路也瞠目結舌。就在“幽靈子彈殺人”真相揭開之際，松東路、郭追卻接二連三遭人追殺，警察小五（井柏然 飾）在開槍掩護松東路、郭追逃亡之時慘死。結案期限迫在眉睫，算命姑娘小云雀（楊冪 飾）不經意間透露出“幽靈子彈”驚天祕密……