3
8.0

武林恍魂刀

導演:
任英健
主演:
溫兆倫,於清斌
别名:
未知
8.0
3人評分
国语
語言
2019-05-07
上映時間
未知
片長
簡介:
天音門爲一西域門派,說是門派,此處更看重金錢交易,門主妙音每年都會網羅舉世珍品舉辦一場‘煙花大會’。  煙花大會舉行三日拍賣,既有千年玉觀音這種俗品又有長生不老丹這種妄想之物,所以每年都會吸引不少江湖豪傑與富商大賈前來參加拍賣。但是今年的煙花大會格外轟動,因爲沉寂數百年的武林神兵‘恍魂刀’竟然出現在了‘煙花大會’。  此次恍魂刀重現江湖,吸引了衆多武林高手前往,其中最出名的,當屬煙雨七君子,煙雨門掌門更是與白衣侯齊名的“一蓑煙雨”任平生。  白衣侯與柳嬋兒自虹日城事件後,一直調查朱雀的行蹤,此次根據線索,也前來煙花大會追尋‘朱雀’的下落,路途中與煙雨七君子巧遇同住西風客棧。在客棧中,白衣侯發現,煙雨門中表面和諧,但幾人早已互相猜忌,矛盾重重,重重疑點引起了白衣侯的注意。  待到江湖中人齊聚天音門,煙火大會如期舉行,大家更期待的是最後一日的押寶魁首恍魂刀。而就在前一夜,煙雨門內部又生爭執,姜上風被任平生殺死,白衣侯目睹此事,通過這一路線索,深知事情絕不簡單。第二日開拍恍魂刀時,白衣侯揭露此恍魂刀是贗品,而任平生纔是真恍魂刀的持有人,他此次前來,就是爲了驗證自己刀的真假。  原來,這一切是朱雀的陰謀,他利用煙花大會拍賣假的恍魂刀引出任平生攜帶真刀現身,同時策反白夜假死,陷害姜上風引發煙雨門內鬥消耗實力,從而奪取真刀。然後,朱雀與蠻族鐵流兒將軍勾結,意欲綁架參加煙花大會的富商,劫掠財富,但這一切都被白衣侯和柳蟬兒所識破,天音門成爲戰場。  蠻族弓箭手的火箭引發了西域火油的燃燒,白衣侯火浣袍重現白光,化身‘真·白衣侯’再次擊敗朱雀。  煙雨七君子因爲互相的猜忌已經支離破碎,任平生極爲自責,從此退隱江湖。
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简介:

本片记录了88岁高龄的淮北梆子著名老艺人顾锡轩演出的《寇准背靴》。 北宋时期,昏王无道,听信谗言,陷害忠良,将忠心报国的杨延景元帅充军云南。而后奸臣王钦若陷害杨延昭,假传圣旨赐其毒药。杨延景狱中好友任堂辉不忍忠良遭害,喝下毒药才使得杨延昭逃过一死。后来,杨府虚报杨延昭病死,假设灵堂,想自此回河东隐居。此时,辽军进犯,边疆告急。八贤王和天官寇准听到杨延景的噩耗,心情十分沉痛,并为朝中失去披肝沥胆的忠良而深感忧悒。于是,二人同往杨府吊唁。寇准在灵堂上看到杨延昭的儿子杨宗保不甚悲哀;又见到杨延昭的妻子柴郡主外面虽身着孝服里面却着红裙;还听到佘太君向八贤王奏本,举家要回河东,心中顿生疑团,便以守灵为名留八贤王同在杨府。夜晚,寇准疑虑满怀,难以入眠。这时,他忽然发现柴郡主来其窗外窥视后,提着篮子急忙向花园走去。寇准看穿其中有些蹊跷,便尾随柴郡主前往花园,柴郡主在黑夜中疾行,不小心摔了跤,篮子落在了地上。紧跟其后寇准也失惊跌倒,碰掉了纱帽,摔脱了靴子。寇准在寻找纱帽时,发现了篮子里的饭菜,并与寻找篮子的柴郡主碰在一起。寇准躲闪不及,又怕被柴郡主发现,便设法躲过了柴郡主。他为赶上柴郡主看个究竟,便背起靴子踉跄跟踪而去。寇准终于看到柴郡主将饭菜送进花厅,并听到她与杨延昭在花厅里讲话。这可乐坏了忠心为国的寇准,急忙赶回将此事报知八贤王。忧虑中的八贤王听说杨延昭还在人世,十分惊喜。于是,君臣二人悄悄地来到花厅,设法见到了杨延昭。从此,世代忠良的杨家又重为国为民捍卫边疆。

0
1961
寇准背靴
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等待方舟
14
9.0
已完结
等待方舟
9.0
更新時間:2025年06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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