999刑事專業律師

简介：当giulia遇到libero并和他在一起的时候，giulia 发现还有不一样的命运和生活在等待着她。但是一个选择直接导致了她被这个世界所背弃

简介：鬼門關剛開，凌晨零點零分時，臺灣最大鬧鬼醫院-杏林醫院裏，出現了四位準備尋親之人。由臺南最負盛名的法師與其弟子帶隊，曉玲與妙如，她們各懷目的，義無反顧踏入醫院，曾經在這發生的過往，一一湧上眼前。不料，醫院陰氣太重，壓的四人喘不過氣；無法投胎的怨魂糾纏，四人的生死，危在旦夕…

简介：在医院工作的山际辰雄（染谷将太 饰）和悦子（夏帆 饰）是一对恩爱的小夫妻。近一段时间，辰雄时常望着窗外发愣，令妻子分外不安。与此同时，悦子所在的工厂同事浅川美雪（岸井雪乃 饰）出现异样，她声称总在家中看到男性幽灵，但那却是她在世的亲生父亲。悦子将美雪送到丈夫的医院检查，结果发现美雪完全丧失了“家人”的概念。在医院时，悦子还遇到了辰雄的好友真壁医生（东出昌大 饰），而对方给她留下了十分不好的感受。渐渐她发现，辰雄与真壁之间似乎有着某种联系，两人更秘密在进行着什么。 周围的世界变得越来越古怪，悦子最终发现了一个攸关人类的可怕阴谋。©豆瓣

简介：一位當紅電影明星的離奇死亡吸引了偵探蘇賈（阿米爾·汗 Aamir Khan 飾）的注意，心中充滿了疑惑的他決定靠自己的力量找到事件的真相。蘇賈和妻子羅斯（拉妮·瑪克赫吉 Rani Mukherjee 飾）曾經擁有過一個可愛的孩子，不幸的是，隨着這個孩子的死亡，夫妻兩人的感情亦跌落了冰點，時刻瀕臨崩潰的邊緣。　　在蘇賈的新家裏，一個陌生老婦的闖入將一切攪得一團糟，同時，他手中的案子也成爲了無頭懸案。一次偶然中，一位名叫羅詩妮（卡琳娜·卡普 Kareena Kapoor 飾）的美豔女子出現在了蘇賈的視線中，很顯然，種種線索表明了，這個神祕的妓女和他正在調查的案件有着千絲萬縷的關聯。

简介：台湾女孩谢怡佳（夏如芝 饰）在做义工时认识了孤寡老人老水发（林宗仁 饰）。为了帮助老水发圆一个心愿，她来到老水发在大陆的老家——宁州。蓝玫美（霍泥芳 饰）是一家旅行社老板的女儿，她喜欢民间摄影家林德（郑凯 饰），并介绍林德做导游带谢怡佳去寻找老水发的故乡。林德和谢怡佳在接触过程中，渐渐被对方所吸引，但却把那段纯真美好的爱情深藏在心里，双方坚守着“等待彼此”的誓言相互思念对方。结果却发现对方已经……

简介：講述了三個笨蛋警察追查黑社會從而引發的一系列搞笑事件。

简介：在早已逝去的江户时代，武士阶层中有一个特殊的群体，他们就是专为将军或者藩主准备料理的菜刀武士（包丁侍），虽然无法上阵杀敌，但手中的菜刀确实丝毫不亚于武士刀的重要存在。加贺藩首屈一指料理人舟木传内（西田敏行 饰）年事已高，原本作为继承人的长子突然病逝，而次子安信（高良健吾 饰）专爱舞刀弄剑，厨艺却令人不敢恭维。在藩内一次盛大的宴会上，藩主侧室阿贞夫人（夏川结衣 饰）身旁一个貌不惊人的侍女，却凭借着出色的味觉和对料理的才学感悟令传内所钦佩。在此之后，传内再三恳请，终于让名叫小春（上户彩 饰）的侍女同意嫁给安信为妻。小春过门后，通过一场料理对决令丈夫甘心随她学习厨艺。　　安信在妻子的辅导下，渐渐成为足以独当一面的合格包丁侍。可就在此时，一场血腥风暴向加贺藩袭来……

简介：馮夢龍，蘇州人，明代著名文學家、思想家、戲曲家，他的作品有近3000多萬字，尤以《喻世明言》、《警世通言》、《醒世恆言》等著述創造了中國通俗文學的新高度。除了藝術方面的造詣，馮夢龍也以其在福建壽寧爲官一任造福一方的事蹟，爲後世稱頌。　　電影《馮夢龍傳奇》便是首次將馮夢龍生平事蹟搬上大銀幕，講述了馮夢龍從蘇州至壽寧、由爲文而從政的傳奇經歷，以其在壽寧的爲官經歷爲主要表現內容，圍繞抗倭寇、滅虎患、禁溺女嬰、倡導文教等事蹟，表現其愛民、務實、清廉的形象。值此中國共產黨成立九十六週年之際，影片以馮夢龍豐碩的文化創造、高潔的人生操守、勤廉的爲政理念、堅貞的愛國情操及務實愛民的政治作爲向黨的生日獻禮。

简介：美國爆發xb疫情,科學家束手無策,歷史上曾有人治癒過該病,無奈資料被毀,科學家們只得使用時間機器回到過去尋找,不料卻遇到了1871芝加哥大火災。。一部傷感的經典科幻片，正大劇場好像播出過

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：飽受臆想症折磨的精神病人衛仁磊，在精神病院組織的出海釣魚療養活動中偶然從一條海帶的口中得知了地球即將毀滅的真相和逃離地球的方法。作爲唯一知道真相的人，他必須擔負起拯救全世界的重任……

简介：沼田家是一个四口家庭。父亲孝助（伊丹十三 饰）和母亲千贺子（由紀さおり 饰）对两个念书的儿子给予了殷切希望。长子慎一（辻田順一 饰）学习用功，成功考上了一流的西武高中。这之后一家人又将希望全部寄托在正读初三的次子茂之（宮川一朗太 饰）身上。　　然而茂之的成绩并不好，接连请了几个家教但收效甚微。正焦急之时，三流大学的学生吉本胜（松田优作 饰）前来应聘。随着这个有些怪异的家教到来，茂之的成绩开始有所提高……　　根据本间洋平同名小说改编。