超級鯊大戰機器鯊

简介：小豬佩奇是一個可愛的但是有些小專橫的小豬。她已經五歲了，與她的豬媽媽，豬爸爸，和弟弟喬治生活在一起。佩奇最喜歡做的事情是玩遊戲，打扮的漂漂亮亮，渡假，以及在小泥坑裏快樂的跳上跳下和與蘇西羊（她最好的朋...

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1944年，盟軍已經登陸歐洲對納粹展開反攻，在耶魯學習法律的湯姆·哈特（柯林·法瑞爾 Colin Farrell 飾）由參議院父親的安排下進入部隊擔任駐紮後方的中尉，一次護送任務中，哈特不幸被俘，被納粹送往集中營中關押。在集中營裏，出身軍官世家的威廉·麥克納馬拉上校（布魯斯·威利斯 Bruce Willis 飾）擔任俘虜們的領導，他將可能出賣了盟軍情報的哈特分配到士兵營房，又將兩名黑人飛行員指派給哈特照顧，集中營中充斥種族歧視的氣氛，哈特不得不盡力避免黑人飛行員遭受同袍的傷害，然而一名飛行員還是死於陷害，而剩下的另一名飛行員則捲入了謀殺，哈特決定爲黑人辯護，向集中營中的歧視宣戰……

简介：故事發生在約旦。丈夫突然去世後，30歲的納瓦爾（Nawal）不得不爲她的那份遺產而奮鬥，來挽救她的女兒和她的家，而在這個社會中，有一個兒子才能順利繼承遺產。

简介：麥琪（伊麗莎•班尼特 Eliza Bennett 飾）是一個生活在德國的12歲小女孩，她和父親阿莫（布蘭登•費舍 Brendan Fraser 飾）相依爲命。媽媽萊莎（Sienna Guillory 飾）在麥琪尚在襁褓中時便神祕失蹤，十幾年來阿莫憑藉舊書裝禎的手藝維持父女二人的生活。麥琪對母親的下落充滿好奇，而父親則三緘其口。孤單的小女孩每日徜徉書海，任憑思緒飛揚。某晚，一個骯髒邪惡的傢伙（Paul Bettany 飾）闖入父女的家中，阿莫和女兒倉皇逃到姑媽愛利諾（海倫•米蘭 Helen Mirren 飾）的家中，此時麥琪終於得知母親失蹤真正的原因以及父親所具有的神奇能力。原來阿莫能夠通過閱讀將書中的人物帶到現實的世界中來，而這也正是災難的開始……　　本片根據德國著名女作家科尼莉亞暢銷叢書中的第一部改編。

简介：張碩邀約死黨與女友劉孟想及其閨蜜開展假日旅行，原本藉機旅途中，落實醞釀久矣的求婚計劃，被意外攪局。誤打誤撞下入住了當地最爲奢華的夢幻島酒店，衆人難掩喜悅，期待接下來更爲精彩的旅程，然而，酒店奢華的背後...

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：影片是根据1969年震惊全美的曼森家族杀人案改编，这个杀人案的被害人是当时著名的好莱坞女星莎朗·塔特和她的4位好友。1969年的8月9日，因为丈夫罗曼·波兰斯基远在欧洲拍片，已有8个月身孕的莎朗邀请4位朋友到自己比弗利山庄的豪宅度周末，这本该是个快乐的周末。结果，塔特怀孕8个月的胎儿随母亲被活生生地勒死；4位在她家度周末的朋友也难逃一劫，更残忍的是，他们都死得血肉模糊，面目全非；豪宅鲜血淋淋；快乐周末骤眼间变成了死亡周末。

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Haruka被毫无疑问的冠军Albert的游泳所俘虏，感觉自己迷失了方向。鉴于目前的情况，他的游泳以及水对他意味着什么都受到了质疑。

简介：當寂寞空虛襲來，座落大樓內的性愛娃娃妓院，便成爲人們情慾的釋放之地。然而，神祕女人麗娥的闖入，卻鬧得妓院不得安寧。她點臺當家紅牌Natasha，還聲稱要爲她贖身，用盡一切手段，只爲帶她義無反顧地踏上一段旅程。儘管阻礙重重，但對麗娥而言，她解救的不只是具塑膠皮囊，而是一份 份寄託在其身上的真實情感。

简介：1890年代，两名灯塔管理员试图在他们生活在偏僻而神秘的新英格兰岛上时保持理智。　　随着雾角的摇摆声响彻空中，沉默寡言的前伐木工人埃弗莱姆·温斯洛和两鬓斑白的灯塔管理员托马斯·韦克踏上了十九世纪末新英格兰沿岸一个僻静且了无生气的岛屿。 在接下来四周艰苦的工作和不利的条件下 ，俩沉默寡言男人除了彼此以外，没有其他人的陪伴，被迫忍受，仇怨与日俱增。 然后，在恶劣的预兆中，狂怒而无休的暴风使看守员受困于本就不宜居的火山岩，助长了长期的野性饥饿；极度痛苦；使人躁狂的隔绝以及恐怖的酒后幻觉。现在，精神错乱得令人窒息。 还可以从无形的牢狱中逃脱吗？

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简介：影片基於2016年電子角色扮演遊戲《最終幻想XV》的世界觀，構成新的水晶故事子系列的一部分。本片由野末武志執導，他曾是最終幻想CGI電影《最終幻想VII 降臨之子》（2005）的聯合導演。《最終幻想XV》總監田畑端擔任電影監製，長谷川隆任編劇，約翰·R·格雷厄姆負責作曲。