1
7.0

11度青春之江湖再見

導演:
沈严,唐浚
主演:
彭冠英,馮丹瀅
别名:
未知
7.0
1人評分
国语
語言
2010-09-23
上映時間
未知
片長
簡介:
相戀多年的男孩(彭冠英 飾)和女孩(馮丹瀅 飾),最初的溫柔浪漫過後,不得不去面對殘酷的現實問題。婚姻、房子、孩子、家人……等等等等,無不困擾着這對一曾相約相守的小戀人。這一日,兩人在一座橋下發生激烈爭吵,爭吵到了頂點,男孩爲了證明對女孩的真愛,便與之相約殉情。一輛車飛馳而來,他們衝上馬路,險些發生車禍,而車主(彭冠英 飾)與另一個女子(馮丹瀅 飾)說的話似乎讓他們若有所悟。與其相濡以沫,不如相忘於江湖。如何把握,如何放手…… 本片爲中國電影集團與優酷網聯合出品的微電影系列《十一度青春》中的一部。
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简介:

某日,已是一名股票交易員的榊信一(賀來賢人 飾)與青梅竹馬的前女友山口澄乃(蓮佛美沙子 飾)和學生時代一起做志願者活動的舊友們再次相遇。如今過着奢華生活的榊羨煞旁人,但不爲人所知的是,此時的他正處在極爲艱難的人生交叉路口。實際上,榊已身患重病且時日無多,因此他暗自下定決心要釋放出內心的“殺人衝動”。                                                                        次日,一位名叫岡本真紀的年輕女子的屍體被人發現。警視廳搜查一課刑警蒼井凌(吉田鋼太郎 飾)和片區刑警矢部知樹(中尾明慶 飾)共同展開了搜查。蒼井3年前舊病復發卻一直沒有對外公開,忍受着病痛的他仍舊堅持查案。然而,蒼井的病情很快就發生了惡化,到了危及生命的地步。面臨死神威脅的蒼井,決心賭上性命也要揪出真兇。                                                                        另一方面,得知榊命不久矣的澄乃決定再次回到他的身邊。澄乃的存在讓榊感受到了溫暖,但即便是他自己也無法遏制住內心這股難以名狀的殺人衝動,於是他又開始了作案……                                                                        與此同時,又一位女性的遺體被人發現。通過監控錄像追蹤真紀生前行蹤的蒼井意外發現了一名帶着墨鏡的男子曾向真紀搭話。蒼井從男子的行動中發現此人聽力存在障礙。抓住了這一線索的蒼井開始爲收集目擊證言而四處奔走。但就在這一過程中,他的身體承受不住而失去意識被送到了醫院。得知父親入院消息的蒼井瑞希(山谷花純 飾)急忙趕往醫院。然而她沒有想到的是,榊也正在悄然接近她……

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主演:矢岛晶子,藤原启治,楢桥美纪,兴梠里美,真柴摩利,林玉绪,一龙斋贞友,佐藤智惠,玄田哲章,玉川纱己子,萩森侚子,大冢智子,纳谷六朗,高田由美,富泽美智惠,三石琴乃,川澄绫子,立木文彦,京田尚子,稀代樱子,伊仓一惠,星野千寿子,户田秋子,阪口大助,草地章江,松尾银三,纱由里,冈野浩介,增冈弘,小樱悦子,伊藤美纪,德丸完,大西健晴,岩永哲哉,土门仁,大塚明夫,小林佐智子
简介:

  小新一家还有风间,妮妮,正男,阿呆一起报名动感超人周年纪念南海之旅,就在动感超人电影的船上首映会上,突然出现了一群粗暴的猴子将大人们都掳走了。春日部防卫队为了救出大人们而出动,小新一行人冒险渡海到南海上的一座荒岛希望可以查出发生了什么事,但本应在船上小葵和小白竟突然出现,小新还发现另一辆古怪的船......

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主演:矢岛晶子,藤原启治,楢桥美纪,兴梠里美,真柴摩利,林玉绪,一龙斋贞友,佐藤智惠,玄田哲章,玉川纱己子,萩森侚子,大冢智子,纳谷六朗,高田由美,富泽美智惠,三石琴乃,川澄绫子,立木文彦,京田尚子,稀代樱子,伊仓一惠,星野千寿子,户田秋子,阪口大助,草地章江,松尾银三,纱由里,冈野浩介,增冈弘,小樱悦子,伊藤美纪,德丸完,大西健晴,岩永哲哉,土门仁,大塚明夫,小林佐智子
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14
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9.0
更新時間:06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
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主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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