籬笆牆外

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简介：记者保拉为了追求杀害男友里沙尔的真正凶手，来到了亚特兰提克城，这是一个深受美国文化影响的地方，之后出现了一大堆像唐纳德、里查德、维德马克、多丽斯.沟口……有着怪名字的怪人。保拉在追寻真相的过程中，还卷入了政治阴谋和黑帮事件中。　　法国新浪潮电影大师戈达尔把美国好莱坞黑帮电影的所有元素用在这部非常刻意的政治恐怖片中，明显向该类型的大师萨缪尔富勒、尼古拉斯雷、霍华德霍克斯等做了模仿式的致敬，片中还涉及许多真实的政治背景和暗杀事件。整部影片虽然显得情节荒唐，较为做作，但导演通过流行音乐（其中一首是《北非碟影》中的“时光流逝”）、广告插画、气氛处理等方法展现深受美国流行文化影响和主导下的法国社会景象。以《美国制造》为标志，戈达尔的政治批判意识进入其后期阶段。他将电影的叙事惯例当作现实政治在电影艺术门类中的主要表现而加以痛烈的反对。为此，他对电影的表现手段进行了极富挑战性的探索。

简介：Joanna's holiday is shattered when her sisters tell her that their dad has dumped, he isn't responding to any calls and disappeared to a Caribbean island. The sisters decide to go to save their father and bring him home for Christmas.

简介：故事发生在未来，一名无人机飞行员哈普（戴姆森·伊德瑞斯饰）被派往危险的军事区域，他在那里发现自己服务的是一名研究机器人的长官里欧（安东尼·麦凯饰），这名长官的任务是在叛乱分子之前研发出打败对方的装置。

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　　明末，官府腐败，民不聊生。一次，红姑所在的郭家杂技大班遭霍太爷门下追杀，幸得好心的霍公子相救。红姑、郭师傅又被劫入红姑寨，见到上一代郭家班人寨主老红姑。老红姑讲述了当年霍太爷怎样残害他们。红姑下山报仇。面对善良的霍公子，红姑转身离去。这时，红姑寨被官兵洗劫，老红姑牺牲。押运粮草的霍公子把粮草献给新寨主红姑。官府下令将其斩首。红姑率军劫法场，就下霍公子。最后，霍公子跟随红姑一起投奔闯王李自成去了。

简介：龍王攜四海龍王以水淹陳塘關逼李靖交出哪吒，哪吒自刎肉身消亡，太乙欲建廟助他重生。 燃燈道人贈李靖玲瓏寶塔，說哪吒無功受香火會受魔心反噬。李靖不忍讓哪吒入歧途決定毀廟引哪吒誤會，而李母與太乙偷偷供奉哪吒牌位。龍王在哪吒復生之時突襲，衆人都被壓在塔下。誤會頗深的父子腹背受敵，一邊要與對方打鬥，一邊又要提防龍族和塔內怪獸的襲擊，於是決定先放下芥蒂逃出兇險之地。 二人進入寶塔深處，幻境紛至沓來，敵人潛伏其中，隨時襲擊疲於奔命的父子倆。 兩人同行，最終冰釋前嫌，共同擊敗龍王。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：故事講述一個年輕的男難民被帶至一個破舊老屋、交由一對母女照顧。小夥子愛上了女兒，還感覺她受到了惡魔的控制，然而事實的真相卻出人意料。

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Four university students summon an ancient spirit from a different dimension with a liturgical noteb...

简介：单亲妈妈秦玉梅高考时因三分之差与大学失之交臂，让女儿许向楠考上重点大学是她的一个执念。因为一则交通事故，玉梅与女儿意外交换了意识，不得不代替女儿上学，并发现一向听话刻苦、成绩优异的女儿，一直瞒着自己跳街舞。玉梅难以接受这个现实，决心好好学习，替女儿考上大学。“许向楠”一夜之间变成学霸，引起了校园里的骚动。然而，为了唤醒女儿，秦玉梅不得不接近舞团的三个队友。当三个年轻人发现意识交换的真相后，对玉梅不离不弃，一直想办法唤醒病床上真正的许向楠。过程中，秦玉梅被三个年轻人重义气、敢追梦的勇气所打动，慢慢的改变了对街舞的看法，支持女儿追寻梦想。

简介：放眼望去，車窗外衰草遍野，毫無生機。普通女子順英（李敏芝 飾）乘坐出租車行駛在從首爾返回老家的路上。這時出租車突然停了下來，一名頭戴棒球帽的陌生男子（樸海日 飾）準備搭順風車，在得到順英的同意後座上副駕駛座。上車後，陌生男子滔滔不絕，言語中帶着極強的攻擊性，他莫名其妙地倒計時，同時隨口說出出租車司機（樸世宗 飾）和順英各自人生中鮮爲人知的祕密。倒計時結束，車中的三人也進入最混亂的狀態。不知過了多久，順應從昏迷中醒來，此時司機和陌生人都不見了蹤影，她在旁邊找到一張司機留下的紙條，隨後下車漫無目的行走。　　莫測多舛的旅途，不知何時抵達終點……

简介：影片讲述了一个剧组在巴厘岛拍摄情色电影《Madness on the Beach》的趣事。由于一个叫奉万台的“大师”加入其中，并给电影带来了意想不到的生机。在奉万台的指导下，电影顺利完成了，正当人们开始庆祝的时候，制作公司忽然来人说电影要重新拍摄，奉万台的心血白费了吗？