犯罪都市1

简介：男星不堪壓力，臨陣辭演舞臺劇，獨自逃到海邊小鎮水療按摩。但有些事情註定逃不了，他在那裏意外重遇舊情人。她以教琴爲業，育有一女；他薄有名氣，卻無人分憂。以爲已經淡忘對方，竟是再見如故，十五年前錯失的一切，再次擺在面前。史提芬畢西（《她的一生》）完成他的「勞資衝突三部曲」後，轉而描繪一份不合時令的感情，透過優美畫面及動人琴音，溫柔細膩表現久別重逢的愛與痛，並有吉翁卡列和影后艾芭諾宜娃查傾情演繹，令故事更添韻味。

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简介：阿拉伯少年阿拉丁不僅擁有忠實的朋友猴子阿布的友誼，還擁有一條神奇的魔法飛氈，他們在鬧市中過着無憂無慮的快樂生活。一天，城堡裏的公主厭倦了無聊透頂的皇宮生活，決定獨自一人偷跑出來見識外面的花花世界。偷跑出來的公主在鬧市裏遇到了阿拉丁，阿拉丁對她一見鍾情。同一時候，邪惡國師企圖利用阿拉丁幫助自己找到能實現願望的神燈，阿拉丁當然不肯束手就擒，於是，他的冒險之旅開始了……

简介：瘋狂的麥克斯：狂暴女神，英文名爲Furiosa: A Mad Max Saga，是2024年上映的澳大利亞美國冒險電影。 隨着文明世界的崩解，年輕的芙莉歐莎從原本的家園衆母綠地被掠走，落入軍閥狄門特斯領導的重機幫派手中。在穿過荒原時，他們來到不死老喬所掌管的城堡。在兩位暴君爭奪統治地位的同時，芙莉歐莎必須在重重考驗中存活下來，並運用各種手段找到回家的路。 《瘋狂的麥克斯4:狂暴之路》中備受觀衆喜愛的角色Furiosa要有自己的前傳電影了。有消息稱該片已經在做前期準備工作。由於是前傳，講述的是年輕時Furiosa的故事，所以查理茲·塞隆將不會迴歸。目前已開始選角，導演喬治·米勒正在考慮的演員是出演過《女巫》《愛瑪》等片的安雅·泰勒-喬伊。該片預計將於2021年開始拍攝。

简介：本片除了讲述一段啼笑皆非的冒险以外，还为观众呈现出感人至深的爱情。融合了喜剧、动作、爱情三大元素，峨眉派美女杀手遇到男神主播片子，两人卷进错综复杂的阴谋后，一路囧态百出，笑料不断。峨眉派弟子普遍印象是清新脱俗的尼姑，然而本片将为观众展现新时代峨眉弟子，她美若天仙，思想传统，武功超群。网络主播王熙凯好像是富二代，其实是个骗子激烈的美女打斗场面将为观众呈现出精彩的视觉享受，传统功夫和现代搏击的融合让网友大开眼界女主人公为爱不顾一切，纯纯的痴情感染了男主人公，让他迷途知返。清新的爱情戏码是年轻女性网民所热衷的，本片必将俘获她们的眼球。综上所述《疯狂直播》是一部以直播为背景，喜剧为核心，动作为外壳，最

简介：小女巫小霞與人類小男孩湯米跨越隔離與成見，成爲超級好朋友，一起攜手克服難關，阻止了湯米的叔叔想要破壞森林開發高速公路的事情，在童話之外也帶給我們許多啓發與教育意義。

简介：六位身份各異的陌生人，爲贏取高額獎金，在神祕盒子的指引下受邀參與世界頂級密室逃脫遊戲。誰知密室內佈局精良機關重重，陷阱遍佈殺機暗藏。是刺激遊戲，還是博命賭局？誰在背後操控這一切？誰能夠成功破解謎局，逃出生天？

简介：一個米蘭的戰時企業家組織了一羣不合羣的流氓，上演了一場精心策劃的搶劫，搶劫屬於貝尼託·墨索里尼的傳奇寶藏。

简介：A singer holes up at a sinister estate to write new songs for his act. The ghost of his murdered wife begins to haunt him, then the person who actually killed her shows up at the mansion.

简介：一個風雨交加的夜晚，走南闖北的嗩吶匠，挑着扁擔的賣貨郎，陰沉詭異的仙婆，一身正氣的警長，無惡不作的大盜，富甲一方的掌櫃，風韻猶存的貴婦，沉默寡言的車伕，八個身份各異的人，齊聚在一座荒野外的破廟裏避雨。長夜漫漫，閒來無事，不知是誰隨口開了個頭，衆人聊起了附近鎮子上，白沙橋下那個婦孺皆知的水鬼新娘的駭人傳說。夜半，周圍的氣氛越發詭異，怪事頻頻發生，他們不得不相信，是她回來了。水鬼復仇，新娘索命，多年前的詛咒終於應驗，破廟裏的人一個接一個地離奇死去。原來，這些人裏，或是貪財，或是好色，或是虛僞，或是怯懦，都與當年陳家那樁水鬼新娘滅門的慘案，有着千絲萬縷的關係。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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