阿里格爾

简介：登山ガイド３年になる立花柚月（工藤夕貴）は、ＷＥＢサイト「山女日記」で山ともだちを作りたいという投稿者に、山のイベントへの參加を促す。山フェスの日、引っ込み思案で山トモがいない西真奈美（黒谷友香）は、山女日記の投稿者の熊田結衣（舞羽美海）に聲をかけられ、意気投合。同じくフェスに來ていた中野親子（利重剛・山根和馬）とともに、燕嶽へのテント泊ツアーに參加する。柚月はガイド仲間である木嶋嶽志（黃川田將也）とそのガイドを務めるが、途中、木嶋のフィアンセと噂される三島さゆり（黒川芽以）の勝ち気さにパーティが困惑したり、真奈美が酸欠で登れなくなってしまう。

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電影主要講述一個自私自利的企業老闆、一羣起早貪黑的農民工，兩個社會階層之間利益的較量隨着“沒錢結婚”、“上學貸款”、“籌錢看病”等在追討工資的囧途上，發生了諸多啼笑皆非而引人深思的故事。《錢在囧途》用一個平凡的故事，圈出了一羣不平凡的人：吝嗇摳門的老闆劉宏圖（林雪飾演）、狡猾設套的塑料兄弟鄭德財（連晉飾演）、缺錢結婚的農民工柱子（彭波飾演）、貸款供弟弟上大學的缸子（於杪鑫飾演）、保鏢三人組的大哥張強（張子晨飾演）、尋求更好生活的間諜祕書小麗（田子琳飾演）、家庭事業兩不誤的女精英（趙千紫飾演）等等。將社會各階層小人物關於愛情、生活、傷害、欺騙的衆生相以荒誕的形式呈現在銀幕之上。

简介：影片講述了鳳凰城UFO事件之後，奇怪的事情開始接連發生，三名青少年喬希、艾希莉、馬克在用DV記錄這一切的過程中突然離奇失蹤，至今下落不明。在他們失蹤二十週年之際，喬希的妹妹蘇菲爲了尋找真相，決定和男朋友傑伊展開調查，隨着當年拍攝的內容不斷被披露，隱藏在背後的真相也將浮出水面。

简介：Jim Slater seeks a survivor of the Apache ambush his father died in.

简介：講述工作狂艾麗(布里)在回家鄉的路上與前男友肖恩(埃利斯飾)度過了一晚，追憶往事，她開始質疑自己所做的選擇和現在成爲的人。當她遇到卡西迪(克萊門斯)後，事情變得更加混亂，這個年輕女人讓她想起了過去的自己。

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Liberal politician Gerben Kooistra becomes deputy Mayor of a small village. He is assigned to stay low profile while solving a ‘private problem’. Soon he discovers that the seemingly boring border-village is a hub for drug smugglers, led by hardened criminal Toontje van Wanrooy.

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为了为女儿的癌症治疗筹集资金，一名退休的公牛骑手与他疏远的儿子联手，在时间耗尽前抢劫以确保付款。但在抢劫案出错后，要想保住这笔钱——以及他们的自由——需要两人智胜当地两名顽强的执法人员，其中包括一名有正义意识的警长，她很快怀疑，她的案件的关键可能就在离家不远的地方。

简介：影片講述兩個同父異母的兄弟揭開垂死父親的祕密時，他們彼此的關係也受到了考驗。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：       多年不見的初戀情人周穎向意外失明的趙安君求婚成功後消失不見，只留下一張空白照片，...

简介：故事發生在一家從昭和時代就開始經營至今的咖啡店中，在這家咖啡店裏有一個神奇的座位，坐在這個座位上的人能夠回到他們想要回到的過去某一日，重溫舊日時光，而時限就是一杯咖啡從滾燙到冷卻的那麼長時間。回到過去的人是無法干涉已經發生過的事情，亦無法改變未來，可即便如此，想要體驗這神奇時刻的客人仍然絡繹不絕。　　在感情和現實之中糾結無法做出選擇的OL清川二美子（波瑠 飾）、一直過着形單影隻的生活的平井八繪子（吉田羊 飾）、因爲阿茲海默症而漸漸失去記憶的高竹佳代（藥師丸博子 飾），每一個人的生命裏，都有不惜代價想要回到的那一天。