亞歷克斯克洛斯

简介：第二十三季由BBC的著名节目主持人Chris Evans与Matt LeBlanc共同主持。　　第一集的嘉宾是Jesse Eisenberg和Gordon Ramsay。　　第一集的嘉宾是Jenson Button好Damian Lewis。

简介：

本片根據真實事件改編。講述美國入侵阿富汗期間，年輕的美國士兵亞當被派駐阿富汗，年輕氣盛的他遇到了魁梧正直的迪克斯中士，很快將其視爲兄長和榜樣。但後來亞當發現迪克斯示意手下殺害當地的無辜人民，良心發現的他考慮將他們的行爲報告給上級反而被同袍威脅。迪克斯中士手下這支全副武裝、越來越暴力的小隊，也開始懷疑自己的隊伍中有人背叛了他們。迪克斯中士強迫亞當殺死平民，不然就會殺死他。亞當面臨痛苦的抉擇，究竟是保全自己，還是想辦法說出真相？

简介：該片講述的是一個富家女，因爲厭倦做富二代的生活，而逃離了原來的生活圈。完全憑藉自己的能力在北京打拼，在外人看來奢華的物質和享受，其實都是靠自己吝嗇摳門摳出來的，並從《時尚經濟學》的角度分享“摳門”之精華所在。故事通過富家女的的生活方式貫穿出四個不同身份、不同家庭環境、不同性格的人，在現實的社會當中的感情歸屬，對生活的選擇，以及在不斷成長中所發生的改變。《摳錢家族》突破了傳統偶像劇對富二代的詮釋，從經濟學的角度，爲白領打開闢了一條低成本享受了高品質生活的“摳門”之路，絕對讓傾囊大半月工資敗大牌的你尖叫不已。愛情在本劇中又以另一條主線闡述了現實社會的浮躁，虛榮，利益金錢與人性的糾葛，極具看點，不容錯過。

简介：《愛與黑暗的故事》發生在1940年代末期的耶路撒冷，書中通過作者童年的視角寫出了他母親身患精神疾病的困擾和父親的無助，同時也展現了以色列建國的重大歷史事件。

简介：本片包含的四個故事是道德力量與死刑這兩個關鍵主題的變奏曲。這就提出了一個問題：在專制政權及其看似不可避免的威脅下，個人自由能在多大程度上得到表達？

简介：貪財又頹廢的“廢柴”家族中，四個不相往來的兄弟姐妹時隔十年，爲了給搶銀行後“失蹤”的父母辦葬禮回到了老家。雖說是葬禮，但其實連放遺體的靈柩都沒有。而舉行這場走形式的葬禮的目的，正是爲了瓜分遺產。在四人...

简介：曼兒（林嘉欣 飾）爲了尋找男友德森（鄭伊健 飾）生前的一幅畫來到了青島。男友因爲遺傳性的疾病而離開了她，曼兒一直想找到這個畫中的景象。青島是德森小時候生活的地方，她想在這裏能找到線索。　　來到青島後的她認識了樂於助人的郵差小烈（劉燁 飾），小烈更樂於幫助曼兒尋找畫中景象。但沒想到的是小烈與曼兒之間的感情發生了微妙的變化，使曼兒不知所措，百般滋味在心頭……

简介：顧海表面上經營着一家高端車行，私下幹着走私車、販賣問題零部件、控制地下賽車的不法勾當，他的手下林霄偷偷吞了兩百萬，想和妹妹林遙離開這座城市開始新生活。但林霄被顧海發現，林霄不願說出錢的下落，顧海便打算抓林遙來威脅林霄。與此同時，酷愛賽車的林遙正準備進行一場地下賽車......

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：蝶在中學時代和好友真真產生了莫名的同性之愛，但是事情不是總那麼簡單，由於家裏人的介入，她迫不得已離開了真真，還交了男朋友成年的蝶是一所中學的老師，有疼她的老公，可愛的女兒，生活幸福美bbb。然而，在超級市場偶然邂逅的小葉成爲了她心中不滅的陰影，兩人的感情漸漸說不清，道不明瞭。

简介：關於二戰的電影是波蘭電影學院派經常拍攝的話題。在《如何被愛》中哈斯把只是把戰爭作爲背景，講述兩個普通人的悲劇感情故事。女主角爲了愛情的無私奉獻最後反而成爲了她深愛的男人的負擔，在某種意義上毀掉了後者的生活。這一切都是在戰爭的環境下發生的，正如女主角講的，開始以爲生活就是自己身邊的事，後來才發現整個國家都和你有關。而男主角最後也說道，我們都是被捲入戰爭的普通人。

简介：《荒漠遊俠》講述的是青衣樓頭領南宮燕因拒絕和錦衣衛同流合污而被錦衣衛追殺，在一路躲避追殺的路上遇到了結拜兄弟左譚，之後在左譚的護送下逃出關外的故事。本片由胡狼監製，新銳導演玄子執導，動作指導孫尚勇、攝影指導安圖聯合操刀，主演則有雷承昆、李江、張楠、陳惠敏等一衆實力小鮮肉聯袂出演。據悉，影片將於2018年騰訊視頻獨家播出。　　演職員表