狄仁傑之神都龍王

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電影《誰是球王》是中央電視臺建臺以來，第一次基於自創欄目品牌策劃製作的電影項目，也是其爲探索節目版權全產業鏈經營的一次全新嘗試。電影講述了主人公洪旭東由於當年一個錯誤的決定，徹底告別了鍾愛的足球夢想。爲了扭轉命運，他決心重頭再戰，用自己的不懈努力重聚了分崩離析的球隊，也得到了真正意義上的自我救贖的故事。

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简介：

歐陽飛（安鈞璨 飾）是一個義賣歌手，他跟他的三個朋友高峯、大兵和寶寶組成了一個樂團“飛鳥魚”，專門在深圳的各大社區與商場演出。他和佳美（陳喬希 飾）是在一次公益活動上認識的，兩人由於拿錯了包包才引發了接二連三的鬧劇使兩個原本不認識的人變成一對難捨難分的戀人。　　故事通過兩個人自然狀態下的不輕易之間的邂逅與相識，表現當今年輕人如何追求生活的目標，如何追求自己的愛情、如何看待生活質量的生活流的自然表現手段，給人清新、可信、自然、健康的故事美感。也對上一輩父母對孩子那種無條件的愛，給予了新的定位與警示。

简介：梁贊（元彪 飾）是梁家九代單傳的獨子，自小熱愛習武。爲了發展兒子的愛好，梁贊的父親從江湖上重金聘請了各路名師與梁贊過招。然而，這些老師們早就被梁贊的父親收買，在比武之時他們假裝戰敗，使得梁贊自認爲功夫...

简介：清末民初，战乱不断，邪人王丽娘正害人性命，疯癫江湖术士毛不破与徒弟白祈、白源追捕邪祟来到鹤灵城，白祈将王丽娘及双头蛇击败，王丽娘濒死遗言及标识让毛不破心生疑惑，想起多年灭门惨案。不久，大帅府怪象频生，师徒三人被大帅府邀请前去府邸查探，旧相识黄老九和黄灵儿也随师徒三人一同前去。白祈破解怪事乃邪魔笑傀作祟，于是决定进入诛魔镜找寻真相。生死轮回，亲情爱情何去何从，不死之身左千秋阴谋能否得逞，一切尽在诛魔镜中世界···

简介：德川幕府统治下的江户时代，位于丰后的羽根藩内，青年武士檀野庄三郎（冈田准一 饰）和友人因为小事起了争执，继而拔刀伤及对方。家老中根兵右卫门（串田和美 饰）赦免他的死罪，转而命其监视住在城外小山村的武士户田秋谷（役所广司 饰）的动向。户田曾担任郡奉行，与家老是儿时好友。七年前他涉嫌和藩主的侧室（寺岛忍 饰）通奸而被问罪，由于秋谷一直负责撰写羽根藩家谱，因此藩主命其在十年内完成家谱的编写，并于完工之日切腹自杀。抱着种种疑惑，庄三郎见到了淡定自若的秋谷及其妻子织江（原田美枝子 饰）、女儿薰（堀北真希 饰）以及少年武士郁太郎（吉田晴登 饰）。相处的过程中，庄三郎渐渐被秋谷的人格所感染，他在调查七年前的事件时，则发现了一些被人刻意隐瞒的真相…… 本片根据作家叶室麟的作品《秋蜩》改编。©豆瓣

简介：電影圍繞轉校生有馬隼人和一心愛慕他的筱原司之間的青春愛情故事。

简介：在2037年时出现一种会让人不孕的病毒，人类面临了存亡的危机。许多科学家想尽办法寻求解决方法，此时，一对科学家在研究过程中意外创造出时光机，因此他们打算回到过去，防止病毒出现。

简介：軍艦島，英文名爲Gunhamdo，是2017年上映的韓國劇情電影。 2017.一部在臭名昭著的日本殖民時期的韓國動作片（Battleship Island）上映，影片講述從1930年代至第二次世界大戰期間(二戰)，朝鮮移民和中國戰俘被迫在臭名昭著的日本軍艦島那裏開採煤炭。儘管“受到真實事件的啓發”，但該圖是純粹的捏造。不僅如此，這非常引人注目，這不僅得益於引人注目的情況，而且還要歸功於二流音樂家黃正敏（Jung-Min Hwang）和他的銀幕女兒蘇安安（Su-An Kim）之間真正真誠的聯繫。  

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简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：人類清除計劃2：無政府狀態，英文名爲The Purge: Anarchy，是2014年上映的美國驚悚電影。 2023年，美國新政府所推行的“人類清除計劃”迎來了第六個年頭。劍走偏鋒的極端政策，旨在抑制持續上升的失業率和犯罪率，在此期間卻也有越來越多的無辜之人遇害，而富人們則斟好杯中酒，腦滿腸肥欣賞甚至以看似高貴優雅的姿態參與一年一度的屠殺狂歡。在大屠殺即將開始之際，面臨分手的情侶謝恩（Zach Gilford 飾）和莉茲（Kiele Sanchez 飾）的車在路上拋錨，他們慌亂不安地尋找藏身之地。剛剛失去最重要親人的伊娃（Carmen Ejogo 飾）及其女兒卡莉（Zoë Soul 飾）躲在家中亦難免厄運臨頭，關鍵時刻母女被逡巡在城市巷尾的中士（弗蘭克•格里羅 Frank Grillo 飾）救下，與此同時謝恩和莉茲也陰差陽錯搭上了中士的車。 新仇舊恨以及對世界的各種憤懣不滿，在這個夜晚集中爆發，脆弱的生命面臨最慘烈的考驗……