麪條俠

简介：故事設定在“猿流感”病毒蔓延全球的背景下，人類幾近毀滅，而進化爲高級智慧生物的猿類一躍成爲食物鏈頂端的王者。時移世異，暴虐的猿類首領賽撒（凱文·杜蘭 Kevin Durand 飾）在一片廢墟中建立起猿族歷史上的第一個帝國——“猩球”崛起，這是世界新秩序誕生的黎明時分。神祕的人類女孩諾娃（弗蕾婭·艾倫 Freya Allan 飾）的出現，引起了賽撒的警覺。她似乎掌握着一個巨大的祕密，不僅關乎人類的存亡，甚至可能再度顛覆整個“猩球”。被迫逃亡的諾娃在躲避賽撒軍隊的過程中，與青年猿類諾亞（歐文·泰格 Owen Teague 飾）的命運交匯，揭開了一段冒險的旅程。

简介：

正义联盟集结地球上所有超级英雄一起对抗强大的反派达克赛德。

简介：在高中的一個暑假，樺山由佳（土屋太鳳 飾）和其他九名同學從昏迷中醒來，卻發現他們被囚在位於某個偏遠鄉村的廢棄建築物內。衆人懵懵懂懂，只有由佳抱着無所謂的態度。這時，放在房間角落裏的錄像機和電視突然自動運行起來，屏幕中顯示出相應文字。在場的十個人禁止走出建築，他們必須參加人狼遊戲。十人中有兩個人是人狼，其他“村民”必須在規定時間前找出人狼並將其殺掉，而人狼則同樣要設法殺掉村民。截止期限前未完成任務或者違反規則都將面臨處死的命運。少男少女帶着些許玩樂的心態進行着遊戲，可是遊戲卻朝着難以預料的方向發展……　　本片根據川上亮的小說原作改編。

简介：

A devout priest welcomes a struggling couple into his house at Christmas time. What begins as a simple act of kindness quickly becomes the ultimate test of faith once the sanctity of his home is jeopardized.

简介：故事發生在1526年的英國，英格蘭國王亨利八世（理查德·伯頓 Richard Burton 飾）厭倦了自己的妻子，愛上了美麗的姑娘安妮（詹妮薇芙·布卓 Geneviève Bujold 飾）。然而，安妮卻拒絕了亨利八世的追求。爲了能夠接近安妮，亨利八世提拔安妮成爲了侍從女官，而國王的祕書克隆威爾（約翰·科裏考斯 John Colicos 飾）爲了討國王的歡心，更是積極主動的落實國王的離婚計劃，最終，國王廢除了王后，強行娶了安妮爲妻。　　可是沒過多久，國王又移情別戀愛上了名爲珍妮（Lesley Paterson 飾）的女子，這讓安妮非常的憤怒。安妮將珍妮從國王身邊趕走，這一舉動激怒了國王，令國王開始實行除掉安妮的計劃。

简介：戲中，薩德本人從未露面，只存在於六名登場人物的對話中。人物的性格也很分明，西緬男爵夫人代表“美德”、而聖芳伯爵夫人代表“惡行”，門託紐夫人則代表了世俗。儘管兩位代表善惡的人物更富有戲劇性，然而全劇的中心仍是主人公露涅和門託紐夫人的對立。　　以劇中人對薩德的態度爲例：門託紐夫人認爲聲名狼藉、鋃鐺入獄的薩德根本就是家庭的恥辱，而薩德的妻子露涅則截然不同，她真誠地等待着被社會排斥的丈夫，並認爲這纔是表達真愛的惟一方式。但是，當革命風起雲湧，社會價值觀也隨之改變。薩德出獄並被捧爲新時代的旗手，門託紐夫人的態度來了個一百八十度大轉彎，她成了薩德的捧哏，稱薩德爲法國的獻身者。　　而露涅的態度卻截然相反。丈夫重新被社會承認，意味着她那孤獨的愛就此喪失了根基。不僅如此，她讀了薩德在獄中寫的小說，裏面描寫了一位堅持美德的女子的悲劇，露涅在作品中看到了自己的影子。她的孤獨之愛從根底瓦解了，同時也意識到之前的半生不過是徒勞，於是她投身修道院，再也不與薩德相會。劇中露涅曾說：“與其付諸行動，不如創製法則……”　　這句話也可以理解爲“與其委身現實，不如付諸思想”。對原劇作者三島先生來說，“藝術”無疑是存在於現實之外的、對於異端思想之美的例證。

简介：正在度假的房产税收专家露易莎·劳伦特（Silvia Abascal 饰）接到上司爱德华多的电话，要求她火速前往位于蒙特·奈格洛的瓦德马尔公馆。这座公馆建造于维多利亚时期，有着悠久的历史。早在一个月前爱德华多便派下属奥利西亚前去进行资产评估，准备将公馆拍卖。然而奥利西亚从此杳无音讯，适逢拍卖日期提前，他只得匆忙找到露易莎。经过一番讨价还价，露易莎临危受命。她来到这幢破败的宅邸，却在视察内部情况是见到一具高度腐烂的尸体。　　4天后，露易莎也宣告失踪。她的老板马克西米连（Eusebio Poncela 饰）万般无奈，找到私人侦探尼古拉斯（Óscar Jaenada 饰）调查两名员工的下落。尼古拉斯却在调查过程中，慢慢揭开瓦德马尔公馆那令人心悸且鲜为人知的过去……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：爲紀念玉 樹地震一週年而專門攝製的電影《格 桑梅朵》把故事放在玉樹地震帶給孩子的 心靈創傷和社會各方展開救助的背景 中講述，細心把握幼小心靈在巨大災 難中承受的痛苦、困惑和壓抑，對於 衆多的災區孤兒進行心理援助有着積 極的指導意義。　　電影描寫了八歲的藏族女孩格桑梅朵 在地震中失去了所有的親人，因巨大 的心理創傷而失語，並失去對過去所 有的美好記憶。在西寧來的“結對”小 夥伴、電視臺女記者及紅十字會心理 醫生的幫助下，最終格桑梅朵走出心 理陰影，臉上露出了幸福的笑容，開 口說話了，儘管只有短短几個字。

简介：陆军上校吴家丽带领一群防暴女战士在金三角要抓捕一个叫叶枫的牛比大姐大（贩毒持枪杀人控制无所不为的反派女英雄，这时候真在和SOMI带领的一群人做生意遭到出卖）的劲爆故事。　　李赛凤开始莫名其妙跟一个鬼老打架，后来又跑出来BULLET大岛有佳丽和她会合去对付叶枫他们去。　　看看RUDEBOY的IMDB评论　　'Mission of Justice' is an offering from the girls-with-guns genre that probably isn't as memorable as 'Yes, Madam', the 'In The Line Of Duty' saga, or the 'Angel' films(which were made prior to 'MOJ' and also star Moon Lee Choi-fung and Yukari Oshima), but it's still quite entertaining. The film combines espionage and commando-like action(Moon Lee and Yukari Oshima even wear brown camoflouge)in a story that takes place in the Golden Triangle in Southest Asia. Moon(Moon Lee) and Bullet(Yukari Oshima) are two agents who work for the supposedly ficticious Anti-Crime League led by Colonel Carry(Carrie Ng). There's a prolouge where Gary Daniels and Moon Lee are hunting eachother. Why it happens in the film is difficult to explain. Moon and Bullet are sent to spy on a woman named Yie Feng, who runs white slavery, counterfeiting, and drug smuggling rings. Yie Feng plans on selling large amounts of narcotics to a man named Somi and his henchman, Hans. Moon and Bullet recieve assistance from Mr. Ma( of Station 'B', in what I have to assume is Burma). When Mr. Ma is killed and Moon and Bullet's covers are blown, they join Colonel Carry and her troops in an attempt to bring Yie Feng, Somi, and Hans to justice. As with most girls-with-guns actioners, the plots are somewhat sub-standard in quality, the budgets are miniscule, the music scores(assuming it's not stock music) sound like something from a 3M advertisement from the 1970' or 1980's. Yet, where else are we going to see gorgeous women with solid acting skills and amazing athletic abilities kicking #@$ Usually, not in Hollywood. I, personally, enjoyed the film despite its shortcomings. This film probably isn't the best from the girls-with-guns genre, but it's worth a look.

简介：艾米·懷恩豪斯的生活和音樂，通過青春期到成年的旅程，以及我們這個時代最暢銷的專輯之一的創作。《黯然》講述了艾米·懷恩豪斯（Amy Winehouse）的非凡故事，是對 21 世紀最具代表性、最令人懷唸的本土明星的讚頌。《黯然》生動、活潑地描繪了她的家鄉卡姆登（Camden）街道，捕捉了她在全球聲名鵲起時的掙扎，在讚揚艾米的藝術才華、機智和誠實的同時，也試圖瞭解她的心魔。這是對現代名人機器的不留情面的審視，也是對一代才女的有力致敬。

简介：落魄的過氣男演員和前妻育有一女，離婚後，妻子帶着女兒改嫁警察局局長。一日，演員父親帶着愛女一同去參加試鏡，被留在車內的女兒卻離奇失蹤。警長父親得知消息後，也加入搜索的行列。然而，搜救的過程中種種醜陋真相竟一一開始浮現。