1
1.0

牽線木偶

導演:
埃尔伯特·范·斯特里恩
主演:
斯科拉·魯特,伊萊亞·沃爾夫,埃蒙·埃利奧特,山姆·哈茲爾丁,道恩·斯蒂爾,麗貝卡·弗朗特,比爾·帕特森,彼得·穆蘭,珀爾·香達,布里吉特·烏爾豪森,呂克·費特,馬丁·多納吉,克雷格·麥克唐納德-凱利,伊麗莎白·約翰內斯多蒂爾,約翰·斯庫高爾,喬胡姆·滕哈夫,蕾妮·範·阿斯滕,詹姆斯·卡羅爾·喬丹
别名:
未知
1.0
1人評分
英语
語言
2020-09-19
上映時間
未知
片長
簡介:
《木偶》講述了一個治療師的故事,當一個十歲的男孩聲稱他可以控制她的未來時,她失去了對現實的把握。
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简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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简介:本片是多次勇奪廣東地區收視冠軍的同名千集電視長劇的賀歲電影版。  廣州西關康家大院疑似發現古文物遺址,一家人聽到政府許諾會作出鉅額補償時,喜出望外。家庭會議上,康嫂(沈殿霞)宣佈她擬將補償金分作四分,自己以及三個兒子阿光(蘇志丹)、阿宗(郭昶)和阿耀每人各一,但尚沒成家或離婚的那份,暫由她保管。二十年前攜帶幼子阿祖(余文樂)離開康嫂去香港淘金的康伯(曾志偉)看過新聞,也回到廣州欲分一杯羹。緊接,這一家便如炸開了鍋:康叔想着不久就有大錢拿,借諸多老街坊的保命錢將家裏置換一新;最貪財的阿宗和阿嬋(虎豔芬)兩夫妻決定拿到錢再離婚;阿光和阿耀雖不視錢如命,但有錢總比沒錢好,於是急着帶外地女友見家長——因爲康嫂規定不準討外地人做老婆,他們爲討她歡心可謂大費周章;阿祖更要命,他喜歡上的女孩(蔣怡)竟是個山東人與韓國人的混血兒,不但自己很能打,還有個非常能打的老爸(黃霑)和老弟,爲了將女孩追到手,他沒少挨拳頭。
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