公貓

简介：刑警李國強（余文樂 飾）擊斃了殺人魔王陳福來，自己也身中數槍生命垂尾。他在醫院休養了四十九天，但剛剛出院就告知職位已被調至雜物科，只因爲他的證詞裏有一些科學無法解釋的靈異現象。來到雜物科的李國強遇見了黃警督（鄭伊健 飾），這個微胖又酗酒的中年人告訴他，和別的部門不同，雜物科專門處理那些所謂的“靈異事件”，但若想在這裏生存下去，就必須堅定一個信念，那就是第一誡：“這個世上沒有鬼！”可是這個世上卻真的是有鬼的，連月來發生的數起詭異的自殺案件引起了李國強的注意。通過調查，他發現這是陳福來的魂魄殺心不改，他可以通過觸碰附在任何人的身上，然後操縱他們的身體爲所欲爲。爲了制伏兇手，李SIR和黃SIR強強聯手，展開了一場驚心動魄的大追擊。然而就在此時，李國強卻漸漸的分不清楚，一直都在鼎力幫助自己的黃警督，他到底是敵是友。

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在人与妖怪之间过着忙碌日子的夏目，偶然与以前的同学结城重逢，由此回忆起了被妖怪缠身的苦涩记忆。此时，夏目认识了在归还名字的妖怪记忆中出现的女性·津村容莉枝。和玲子相识的她，现在和独子椋雄一同过着平稳的生活。夏目通过与他们的交流，心境也变得平和。但这对母子居住的城镇，却似乎潜伏着神秘的妖怪。在调查此事归来后，寄生于猫咪老师身体的“妖之种”，在藤原家的庭院中，一夜之间就长成树结出果实。而吃掉了与自己形状相似果实的猫咪老师，竟然分裂成了3个——！？

简介：故事發生在二十世紀初的北愛爾蘭貝爾法斯特，剛剛出獄沒多久的約翰尼（詹姆斯·梅森 James Mason 飾）參與了一次搶劫行動，並且爲了掩護隊友而遭到了警察的槍擊，約翰尼失手打死了警察，惹上了重罪，成爲了全城通緝的對象，身負重傷的約翰尼體力不支，昏了過去。　　窮的叮噹響的無賴漢謝爾（F.J.麥考密 F.J. McCormick 飾）發現了約翰尼的蹤跡，在他的身上看到了發財的法子，他將情報通告給神父湯姆（W.G. Fay 飾），卻被凱瑟琳（凱思琳·賴安 Kathleen Ryan 飾）發現。凱瑟琳趕在謝爾之前找到了躲在瘋畫家魯奇（羅伯特·牛頓 Robert Newton 飾）家中的約翰尼，就這樣，兩個人踏上了逃亡的旅途。

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哈特（山口胜平 饰）是一只被草食性恐龙养大的霸王龙。其实，早在它破壳而出时，草食性恐龙的首领就曾命令哈特的母亲（原田知世 饰）抛弃它，但母亲却最终还是偷偷把它养大。随着年龄的增长，每天只吃野果的哈特每天饥饿难耐，最终还是抵不住本能的驱使，开始了自己食肉的残暴生涯。然而，由于母亲的影响，在哈特的内心深处，始终涌动着一颗善良的心灵。一天，偶尔遇到一只破壳而出的食草恐龙宝宝，哈特阴差阳错的被恐龙宝宝误认为是“爸爸”，而且为小恐龙取名为“很美味”，自此开始了又一段奇异的恐龙父子情。然而，伴随着生存环境的恶化，恐龙们的生存遭受着前所未有的破坏，哈特和它的亲人最终能否经得起考验……                                                                      　　本篇由日本知名漫画家宫西达也的同名漫画改编，本书曾获剑渊绘本乡绘本奖大奖。

简介：麥克西恩（米婭·高斯 Mia Goth 飾）是一個做夢都想要出名的女孩，可現實是，她沉浸於毒品帶來的幻覺和快感之中，並且即將出演一部由她的男友（馬丁·亨德森 Martin Henderson 飾）指導的色情片。爲了拍攝，麥克西恩和男友、攝影RJ（歐文·坎貝爾 Owen Campbell 飾）、場務洛林（珍娜·奧爾特加 Jenna Ortega 飾），以及另外的一對主演傑克森（卡迪小子 Kid Cudi 飾）、波比（布蘭特妮·斯諾 Brittany Snow 飾）驅車來到了一幢地處偏遠的宅子處。　　宅子的所有者是名叫霍華德（史蒂芬·烏瑞 Stephen Ure 飾）的老人，他對於這幫年輕人的到來似乎並不歡迎。儘管如此，影片還是按照計劃開拍了，在此過程中，年輕的肉體和濃烈的荷爾蒙似乎喚醒了深藏在霍華德妻子體內的某種慾望。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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在与父母争吵后，少女点开了一封神秘的电子邮件，但这封邮件所传递的信息却感染了整个家庭。

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　　陈静仪（周海媚 饰）是一名高级督察，母亲在20年前被变态凶徒残忍奸杀了，成为警察的她务求能找到凶手。此时，相同手法的杀人案件出现了，静仪内心再起波澜以外，极力追寻真凶。众多追求者的静仪，与同是警察的有妇之夫发展了一段暧昧关系。但她并没有忘了要将凶徒绳之于法。但在她不断追捕的过程中，渐渐落入了凶手的圈套了……

简介：一個印度女孩因爲不願意接受父母安排的婚事而來到美國。在這裏她結識了一個美國女孩，兩人很快成爲好朋友。在好朋友的介紹下她逐漸開始接觸美國的男生，但是文化背景的巨大差異讓她苦惱不已，但是好事多磨，最後女主終於找到了自己的意中人，收穫了完美的愛情。

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简介：A young woman and her friends whove been targeted by kidnappers must do everything they can to survive after their limo is forced off the road and plunged into a canal.