家族的恩惠

简介：開心鬼（黃百鳴）轉世投胎，搖身變作某女子中學教師，在他班上，幾名愛捉弄人的調皮女生，戴卓儀（袁潔瑩）、MAY（羅美薇）和姚瓊（陳家玲），成立了以整人爲樂的“卑鄙會”，開心鬼是她們最愛拿來開玩笑的對象。　　開心鬼喜歡上隔壁男校某名女教師，正欲展開攻勢，發現該教師正被各方面條件都強於自己的某體育教師追求，相比形穢，開心鬼鬱鬱不得意，更受打擊的是，他因掉入戴卓儀一衆設的“陷阱”，遭校長誤會被迫離開學校。戴卓儀一衆後悔不迭，開始想辦法彌補過錯。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：炭头（刘青云 饰）一直无法从被女友抛弃的阴影之中走出，终日生活在郁郁寡欢之中。某日，炭头邂逅了开朗乐观的阿荣（袁咏仪 饰），阿荣的快乐和单纯渐渐感染了炭头，久而久之，两人走到了一起，组成了家庭。　　阿荣一直希望能够拥有自己的孩子，但炭头一想到跟随着孩子而来的负重和责任便起了退却之心。终于，阿荣还是怀孕了，虽然心中有些龃龉，但炭头依然尽心尽力的照顾着阿荣。就在这个节骨眼上，炭头的前女友从法国归来约炭头相聚，就在那一日，阿荣的孩子胎死腹中。炭头用他的温柔包容着伤心欲绝的妻子，知道阿荣迎来了第二个孩子，然而，面对丈夫对胎儿无微不至的关心，阿荣起了疑心。

简介：

青年杨二郎通过灭杀三头蛟立功，终于破格入选了梦寐以求的猎妖卫。他一心想着通过灭妖修仙最终与母亲团聚，却碰到了自称美猴王的猴子。两人不打不相识，一路经历各种坎坷意外，杨二郎获封二郎神，猴子也拜师成为法力无边的孙悟空。而命运也让二郎神和孙悟空从识于微时的情谊，走到了势不两立的对决这一步。

简介：35岁的中年外交家杰罗姆（让-克劳德·布里亚利 Jean-Claude Brialy饰）是一个具有深刻洞察力和幽默感的男人。即将结婚的杰罗姆，以单身汉的身份参加了老朋友奥罗拉（奥罗拉·科努 Aurora Cornu饰）邀请的度假之旅。在美丽而宁静的乡村庄园，奥罗拉介绍了两位花季少女劳拉（碧翠丝·罗曼德 Béatrice Romand饰）和克莱尔（劳伦斯·莫纳亨 Laurence de Monaghan饰）与他认识。年轻美丽的克莱尔让杰罗姆不能自拔地心生欲望。当他看到克莱尔的男友抚摸她膝盖的动作，产生了也要摸一摸克莱尔膝盖的念头。　　由国际电影大师埃里克·侯麦执导的影片《克莱尔的膝盖》，是侯麦《六个道德故事》的系列影片之一。本片荣获1972年第29届金球奖电影类-最佳外语片提名等多项大奖。

简介：癌症藥研發專家馮偉峯（溫兆倫 飾）繼承了舅公的豪華別墅，帶着母親、妻女和舅公的老管家一起生活。但自從住進別墅，卻發生了一些列匪夷所思的事情。妻子愛玲（楊斯 飾）經常深夜被詭異的聲影驚醒，女兒佳佳離奇失蹤。很快有人來電聲稱綁架了佳佳，一家人卻不敢報警，只請朋友陳勇（賀剛 飾）幫忙調查。此時馮偉峯又接到匿名電話，有人要出重金購買他的新藥配方，被他斷然拒絕。陳勇深入調查後發現這個家庭裏的每個人都有嫌疑，可謂是案中有案，迷霧重重。但最後的結果卻完全出乎他所料……

简介：因为在联赛斗殴，小镇足球队的全体男性成员被开除赛籍。为了不缺席一年一度的盛大赛事，球队的教练找来了当地热爱足球的姑娘们组成了一支临时队伍，其中有普通家庭主妇、社团经理、警察、餐厅服务生等，大家积极训练，闹出不少笑料，她们最终将代表小镇足球队上场。

简介：

某日，已是一名股票交易員的榊信一（賀來賢人 飾）與青梅竹馬的前女友山口澄乃（蓮佛美沙子 飾）和學生時代一起做志願者活動的舊友們再次相遇。如今過着奢華生活的榊羨煞旁人，但不爲人所知的是，此時的他正處在極爲艱難的人生交叉路口。實際上，榊已身患重病且時日無多，因此他暗自下定決心要釋放出內心的“殺人衝動”。                                                                      　　次日，一位名叫岡本真紀的年輕女子的屍體被人發現。警視廳搜查一課刑警蒼井凌（吉田鋼太郎 飾）和片區刑警矢部知樹（中尾明慶 飾）共同展開了搜查。蒼井3年前舊病復發卻一直沒有對外公開，忍受着病痛的他仍舊堅持查案。然而，蒼井的病情很快就發生了惡化，到了危及生命的地步。面臨死神威脅的蒼井，決心賭上性命也要揪出真兇。                                                                      　　另一方面，得知榊命不久矣的澄乃決定再次回到他的身邊。澄乃的存在讓榊感受到了溫暖，但即便是他自己也無法遏制住內心這股難以名狀的殺人衝動，於是他又開始了作案……                                                                      　　與此同時，又一位女性的遺體被人發現。通過監控錄像追蹤真紀生前行蹤的蒼井意外發現了一名帶着墨鏡的男子曾向真紀搭話。蒼井從男子的行動中發現此人聽力存在障礙。抓住了這一線索的蒼井開始爲收集目擊證言而四處奔走。但就在這一過程中，他的身體承受不住而失去意識被送到了醫院。得知父親入院消息的蒼井瑞希（山谷花純 飾）急忙趕往醫院。然而她沒有想到的是，榊也正在悄然接近她……

简介：

In Meshal Aljaser’s exhilaratingly madcap thriller, a young woman stranded in the Arabian desert races to be home before curfew under the threat of extreme punishment from her scary strict father.

简介：康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。　　Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。　　The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.　　Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.

简介：從東北撫順逃難到南方的孤女張柔柔陰錯陽差的來到牧雲山莊，因爲手腳笨拙被派去伺候有瘋病的牧雲山莊的二少爺沈夢言。大嫂雪子和家庭醫生有染，爲了獨吞慈禧太后留下的寶藏給日本人而加害大少爺。二人爲了從二少爺口中得知寶藏下落把二少爺關起來給他打有迷幻色彩的藥。張柔柔在伺候二少爺的日子中與他漸漸產生愛戀，並知道二少爺沒有真瘋。雪子與趙卿爲了達到目的不擇手段要遵照平山大佐的指示帶沈夢言去昭和醫院，被張柔柔救出，但柔柔反而被抓。原來外表單純傻傻的張柔柔是共產黨派來保護寶藏的祕密人員。沈夢言爲了救柔柔自投羅網，二人齊心合力把日本人關入所謂的寶藏密室。原來在伙房的春嬸纔是幕後黑手。最終有情人終成眷屬。

简介：女主角一個美若天仙的女子，竟因自己是個處女，而對男友感到厭煩──動不動就想上牀的男人──她眼裏只有一種想法：「滾開！」一場男女對決，於焉展開。　　一對男女朋友在交往多年卻不曾發生過親密關係，男友不解？女友更有一堆難以解開的結　等待有緣人來助她一臂之力，卻不是要跟男人上牀。問題來了，一個處女，世間少有，就在男友把持不住的情況下，他泄露了對女友的不滿，透過他的工作職權：記者，昭告天下。你能想像這會產生多嚴重的後果嗎？當然是分啦，怎分？光是爲了錢的問題，男女間就只是敵人。