緣來聖誕

简介：LucyFreers有一个长久的婚姻和一个可爱的女儿，在好莱坞郊区的一个大家庭生eee。不久，Lucy发现邻居Julia死在自家的游泳池里，露西和她的丈夫被贴上嫌疑犯的标签。于是，露西开始了寻找真相之旅。

简介：費鑫（任達華 飾）和仇樂（霍建華 飾）接下一件案子……　　區鑑（張赫 飾）的妻子南方（熱依扎 飾）生下本不該屬於他的孩子，篤定被戴綠帽的他本想查清孩子來路，卻遭殺手索命，惶惶度日發現一切都是妻子和姦夫的陰謀。蒙冤入獄5年的謝天佑（霍建華 飾）開始了對區鑑的報復行動，決定利用高智商犯罪奪回本該屬於自己的一切。在費鑫查到區鑑與新進職員唐蟬關係微妙同時，南方發現一直爲自己鳴不平的好友沈嘉美竟是區鑑前妻。　　與殺手的對抗，與妻子的周旋，與女職員的邂逅，與前妻的重逢，區鑑深陷危機。每個人的愛裏都隱藏着不爲人知的祕密……

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春节将至，外出工作的人都归心似箭，匆匆赶回家中和亲人团聚。光头强（谭笑 配音）因为没钱买回家的车票，只能替李老板（张伟 配音）砍树来赚取路费。熊大（张伟 配音）和熊二（张秉君 配音）得知他们赖以生存的家园又要遭到光头强的破坏，于是组织了一干动物们，在光头强砍树的机器上做 了手脚，机器坏了，光头强砍树的计划自然泡了汤。                                                                      　　无法砍树，拿不到工钱，这也就意味着光头强可能今年没办法回家过年了。得知此事，熊大和熊二动了恻隐之心，尽管光头强和他们平日里斗智斗勇，是一对冤家，但两头熊还是决定在这个节骨眼上帮助他。它们将坏掉的伐木机改装成为了汽车，打晕了光头强想要送他回家，由此引发了一连串的笑话。

简介：Sophia, a smart but quiet high schooler, strikes up a friendship with a new girl in class, but the girl begins to disrupt the lives of Sophia and her family. Sophia is then forced to uncover her friend's past and learn the truth before it's too late.

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简介：本片根據蘇珊娜凱森的自傳體小說改編而成。蘇珊娜（薇諾娜·瑞德 Winona Ryder飾）本是正值花季的普通少女，卻被診斷爲“邊緣精神錯亂症”而送進了精神病院。雖然蘇珊娜深陷現實世界的精神壓力中飽受折磨，但在精神病院蘇珊娜結識到了一羣看似乖戾卻不同尋常的新朋友。具有反社會人格的莉莎（安吉麗娜·朱莉 Angelina Jolie飾），帶領患有說謊癖的喬治娜（克麗·杜瓦爾 Clea DuVall飾），對火深懷恐懼的珀麗（伊麗莎白·莫斯 Elisabeth Moss飾），不能當着他人面進食的戴西（布萊特妮·墨菲 Brittany Murphy飾）等其他女孩，做出了很多令人瞠目結舌的舉動，這令醫院管理人員頭痛不已。蘇珊娜逐漸融入了女孩們的“祕密活動”中。這一次次離經叛道的瘋狂冒險，使她踏上了一場尋找自我的精神之旅。　　安吉麗娜·朱莉因本片榮獲第72屆奧斯卡金像獎(2000)奧斯卡獎-最佳女配角。

简介：電影圍繞轉校生有馬隼人和一心愛慕他的筱原司之間的青春愛情故事。

简介：一名法医开始怀疑自己的新婚丈夫是警方一直在通缉的连环杀手。这个发现将使这名法医和她的前男友，一名警探陷入危险之中。

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简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：影片講述二戰初期，由37支盟軍船隻組成的護航艦隊在歐內斯特·克勞斯（湯姆·漢克斯飾）艦長率領的一艘美國驅逐艦指揮下，穿越險惡的北大西洋，同時還要與德國U型潛艇狼羣的周旋。

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