非凡公主

简介：《古代战场第2季》是一部大型历史文化类系列纪录片，本系列纪录片共21集，选取中国历史上非常具有代表性的战争，从战争发生的背景，人物故事来再现还原真实的战争过程。 从公元前2000年至今的四千多年中，伴随着一场场战争的爆发，中原大地见证了各个朝代的更替。每一场战役都预示了一个旧的时代走向灭亡。战争的云谲波诡，钩心斗角、大智大勇的背后暗藏玄机。伴随着每一场战争，历史给我们留下一个个让人为之震撼与唏嘘的名字。 本片主要以情景再现的形式，通过实地拍摄、专家采访等方式给大家展现每一场战争中的史实背景与鲜活故事，让观众能够更加直观的感受到古代战场的瞬息万变。

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本片记录四位独立舞者在全球疫情至今的三年多期间内，跨越备受局限的时空。在大自然场域共融创作，展现一段段不同的心路历程。他／她突破肢体损伤者与正常人的分界，实践身心障碍是与社会环境互动形成的独特经验，他们追寻万象旋律的灵光跃动，回清「舞姿即是生活之姿」的倒影。

简介：二次大战期间，日军侵略中国熟黯功夫的僧人天法，在寺门附近救了一个被日军追杀的地下工作者。此人身受重伤，弥留前将一幅有关日军军力分布的地图交给天法，求天法送到卧龙镇他的同志。天法冲破日军包围网上路，身上带了一只木盒，盒内是寺内最珍贵的经文，中途遇上两个小流氓阿龙与马可，二人以为天法木盒内是珍宝，所以不断要偷天法的木盒，天法武功高强，几次打败两个小流氓。但由于不识往卧龙镇的路途，只有与二人合作。

简介：布萊恩（布萊德利·庫珀 Bradley Cooper 飾）是一名軍火承包商，年紀輕輕的他便在行業內闖出了一片屬於自己的天地，攀登上了事業的最高峯。某日，他被上司派往夏威夷火奴魯魯軍事基地，那裏正在進行一項間諜衛星的開發和研製，需要布萊恩的監督，布萊恩興致勃勃的踏上了旅途。　　讓布萊恩沒有想到的是，在目的地，等待着他要和他一同共事，是一位名叫艾莉森（艾瑪·斯通 Emma Stone 飾）的女飛行員，艾莉森冷若冰霜而又不苟言笑，着實是一個嚴肅而又無趣的女人，這令布萊恩感到十分鬱悶，與此同時，布萊恩對前女友崔西（瑞秋·麥克亞當斯 Rachel McAdams 飾）依然抱有着不切實際的幻想，他聯繫到了崔西，企圖和她破鏡重圓。

简介：香港，警探谭家明（谭耀文 饰）因多年前与挚友同伴唐警探（唐文龙 饰演）兄弟反目，其妻子阿雪（杨恭如 饰）又病重，他失意潦倒之际，一日遇上城中雷厉风行的辣警霸王花Madam梁（梁琤 饰）和她手下的女子兵团，是敌是友，火拼再起......

简介：韋德是一個新罕布什爾州小鎮警長，在他的前妻和女兒吉爾看來他一事無成，還是個酒鬼。他的女朋友瑪吉接受了這樣的他。狩獵季節的第一天，韋德的朋友傑克帶着一個富商去打獵，只有傑克活着回來。韋德決定扮演偵探，並開始調查此案，儘管傑克堅稱這是一次意外的自殺……

简介：個性莽撞的玫瑰仙子（孫儷 飾）渴望能夠像紫霞仙子一樣找到一世珍愛，於是從日月神燈前盜取那把曾見證曠古愛戀的紫青寶劍來到凡間，希望找到能拔劍出鞘的真命天子。山賊清一色（鄭中基 飾）只想本本份份做個山賊，不料卻拔出玫瑰仙子的紫青寶劍，之後倆人又意外通過越光寶盒穿越時空，親歷赤壁之戰。在穿越的日子裏，玫瑰仙子對於拔劍出鞘的清一色百般示愛，而一心想重新踏上穿越時空之路的清一色卻對玫瑰仙子只是假意奉承，在利用玫瑰仙子從曹操（郭德綱 飾）手裏奪回越光寶盒之後，他毅然棄玫瑰仙子於不顧，獨自回到曾經。然而再次偶到玫瑰仙子之時，清一色卻發現有一份愛早已在自己的心頭生根發芽……　　本片借經典影片《月光寶盒》之東風，58位明星傾情加盟，並重新演繹近年來多部影片中的精彩片段，“笑果”非比尋常。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：Leslie，一個年逾五十的家庭主婦，同時，她也是一個鋼琴教師。這天她突然想要追逐夢想，厭倦了瑣碎平凡的生活，她決心去當一名搖滾歌手。這一舉動可嚇壞了她的丈夫和即將上大學的女兒……

简介：The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.

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